Host Luisa Lyons chats with Maribel Legarda and Liza Magtoto, the director and writer of the hit Filipino jukebox musical Rak of Aegis.

Topics include the formation of the Philippine Educational Theater Association (PETA), and how PETA operates and fulfills its founders’ mission to create a Filipino theater. We discuss  the development of Rak of Aegis, why Maribel double cast the show, the significance of the incredible set, and why an audience member saw the show 21 times! We also take a look at how the show came to be streamed, and how the pandemic has changed thinking about streaming going forward.

Maribel Legarda is a multi-disciplinary director and the Artistic Director of PETA. As a Senior Artist-Teacher of the company, she has directed and choreographed major productions including “Care Divas,” “William,” and “Pamana”. Maribel has also conducted workshops for Dance, Women and Children’s Theater, both locally and internationally.

Liza Magtoto is a playwright and freelance scriptwriter, a member of The Writer’s Bloc and an artist-teacher of the Philippine Educational Theater Association (PETA).  Recent works include “Rak of Aegis,” “Rated PG,” “A Game of Trolls” and “Care Divas.” A recipient of Gawad Buhay! and the Gawad Pambansang Alagad ni Francisco Balagtas, Liza also won the Don Carlos Palanca Memorial Awards for Literature, and three of her award-winning plays are published in Bienvenida de Soltera, an anthology of her earlier works.

Learn more about PETA at www.petatheater.com and follow on Instagram, Facebook, and Twitter.

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Pre-pandemic the rules for streaming local school or community musical productions were very clear: no filming allowed! Although it was sometimes possible for these groups to buy additional licenses to film the show for archival purposes or purchase a license to sell show DVDs to friends and family at cost.

The pandemic saw a seismic shift in permissions for streaming. It took much negotiating with playwrights, composers, and music publishing houses, but it is now easier than ever for schools and amateur theatre groups to stream their productions so that non-local relatives, friends, people restricted by geography, physical ability, or global pandemics, can tune into their productions.

Due to the complex negotiations required for streaming, it’s not surprising that licensing companies themselves are behind new specialized platforms for streaming theatre. After purchasing a license for a show, schools and community groups can use platforms such ShowTix4U and ShowShare to stream their productions. One fee takes care of royalties and streaming rights, and the ticket sales or donations are all through the one platform. The platforms also provide tech and streaming support, resulting in higher quality streams than using Zoom, YouTube, or Facebook Live.

The first platform to go live was ShowTix4U, which launched in mid-June 2020. A partnership between musical licensing company Music Theatre International (MTI), streaming platform Digital Theatre, and tech experts Broadway Media, ShowTix4U provides a platform for both ticket sales and streams. Tickets can be sold to both in-person and streamed events, and shows can be streamed live or on demand. Another benefit of using the platform, is that licensing fees and royalties for MTI shows are automatically part of the fee.

MTI titles are available with 4 different types of streaming rights: Live-Streaming (streamed in real-time), Scheduled Content (stream pre-recorded productions), Video on Demand (pre-recorded video or previous productions), or Remote Content (produced virtually). There are currently 97 titles available including Annie, Billy Elliot the Musical, Daddy Long Legs, Spring Awakening, Urinetown, and Working. There are also 35 Disney titles available, including Aladdin, Beauty and the Beast, and The Descendants, and The Little Mermaid, and Newsies, with most only available using Scheduled Content Streaming. According to Playbill, the top three streamed MTI titles throughout the pandemic were Songs for a New World, Disney’s High School Musical, and Annie.

An initiative of Broadway on Demand, ShowShare launched in September 2020. Its current licensing partners include Broadway Licensing, Playscripts, Stage Rights, Concord Theatricals, and Youth Plays. Musicals with streaming rights include After Midnight, BRKLYN the Musical, Emma: A Pop Musical, and Polkadots. According to Broadway on Demand Vice President Tralen Doler, 1466 schools streamed their musical productions via ShowShare throughout the pandemic. The most produced musicals were Emma, Disenchanted, and You’re a Good Man, Charlie Brown.

A third platform is BookTix, which as its name suggests, started as a digital ticket booking platform. Founders Tim DiVito and Jason Goldstein increasingly saw a need to also provide streaming services, and expanded. As of May 2020, BookTix is partnered with Theatrical Rights Worldwide, whose entire catalog, including Monty Python’s Spamalot, Bright Star, The Prom, and The Color Purple, includes free streaming rights. According Director of Operations Cassie Balint, the most produced musical “by far” throughout the pandemic was The Addams Family. Other popular shows included You’re a Good Man, Charlie Brown, We Will Rock You, and Spamalot.

It will be great to see these streaming rights extended to professional productions, though this will need a significant shift from Equity and SAG/AFTRA, who have long battled over how to negotiate who gets paid what for live theatre broadcasts.

I have been sharing upcoming high school and community theatre streams in the weekly Filmed Live Musicals newsletter. Sign up to find out what’s streaming near you!

This week host Luisa Lyons chats with Filipino-American artist Lourds Lane - book writer, composer, lyricist, arranger, and violin-playing co-star of the new rock musical SuperYou. The musical was scheduled to open off-Broadway in May 2020, but was postponed due to the pandemic. Instead, a concert version was performed on the back of pick-up trucks at a drive-in in upstate New York. The concert was filmed and is available to stream on Broadway on Demand!

We talk about how music inspires, how writing music for a touring rock band helped Lourds write a musical, the Medusa Festival, the intensely personal inspiration behind SuperYou, why the team defied industry malaise at the start of the pandemic and staged the drive-in concert, how the concert was filmed, and putting your work online.

Learn more about Lourds Lane at www.lourdslane.com and SuperYou at www.superyoumusical.com. 

SuperYou is available to stream on demand until April 15, 2021 at Broadway on Demand.

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Thank you to the Filmed Live Musicals patrons Josh Brandon, Mercedes Esteban, Rachel Esteban, James Lane, David Negrin, Jesse Rabinowitz and Brenda Goodman, Al Monaco, David and Katherine Rabinowitz, and Bec Twist for your support.

Filmed Live Musicals is the most comprehensive online searchable database for musicals that have been filmed live on stage. Follow us on Facebook and Twitter. You can also support the site at Patreon. Patrons get early access to content, no matter how much you pledge.

This week on the Filmed Live Musicals podcast, host Luisa Lyons chats with New York-based Australian director Benita de Wit.  

We chat about creating pertinent work with college students during a pandemic, the LIU Post Sondheim cabaret One More Thing Not to Think About, what makes a good theatre capture, what makes theatre “live” and human, why a student production of Kiss Me, Kate stuck in Benita’s memory, the upcoming stream Alter/Ego and how Bowie is relevant to Gen Z, and what it means to theatricalize pop music.

Benita de Wit is a New York-based Australian director of theatre and performance.  They are the Associate Director for the international tour of  “Bat Out of Hell” and have an MFA in Directing from Columbia University. Recent credits include “One More Thing Not To Think About” (Post Theatre Company), “The Laramie Project” (Pace University), “Slaughterhouse” by Anchuli Felicia King (Belvoir, 25A), “The Silence” (MIT, Associate Director), "The Moors" (Off Broadway, Assistant Director), "The Rape of The Sabine Women by Grace B Matthias". Benita is an Adjunct Professor at Pace University and an Associate Member of SDC. Learn more at www.benitadewit.com.

Show Links
One More Thing Not to Think About 
https://vimeo.com/jstudiosny/review/486420579/14dffcb021
Password: N3wSw!*LIU2020

The Laramie Project
https://performingarts.pace.edu/current-season

Alter/Ego
https://www.facebook.com/liuposttheatrecompany/

​Filmed Live Musicals is the most comprehensive online searchable database for musicals that have been filmed live on stage. Visit www.filmedlivemusicals.com to learn more. Follow us on Facebook and Twitter. You can also support the site at Patreon. Patrons get early access to content, no matter how much you pledge.

This week on the podcast host Luisa Lyons chats with Eliza Jackson, an Australian producer based in the UK whom The Stage recently listed as one of the Top 100 Theatre Makers of 2020. 
Topics including making the switch from acting to producing, the joys and challenges of producing virtual theatre content during the pandemic, paying artists during lockdown, the future of streaming, what it means to make theatre during this time, and Lambert Jackson Productions streams of The Last Five Years, Songs for A New World, [title of show], and the upcoming I Love You, You're Perfect, Now Change. 

Australian born Eliza Jackson trained in Musical Theatre at the prestigious NIDA (National Institute of Dramatic Art) in Sydney. She moved to London in 2012 and since then, has worked in the theatre industry both on and off stage. 

In 2018, Lambert Jackson Productions was born and their first project was to take Eliza’s one-woman show to the Edinburgh Fringe Festival. The show, The Voice Behind the Stars received 5-star reviews across the board and was then toured around Australia with much success. On her return, she took on the role of Creative Director of Lambert Jackson full time.

I Love You, You're Perfect, Now Change will stream at select times between January 28-30, 2021. More info and tickets available from the London Coliseum. 

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So, 2020, huh?! It has been a tumultuous, painful, bizarre year with so much loss, grief, and uncertainty. But on the other side of darkness, there is light. And if one good thing has come out of the pandemic, it’s that filmed live theatre content is more available than ever. From Andrew Lloyd Webber’s The Shows Must Go Online, The National Theatre and Met Opera’s weekly streams, Disney+ releasing Hamilton, to smaller independent theatres like Southwark Playhouse, Wise Children, or Westcoast Black Theatre Troupe releasing previously filmed content, and creating new musicals to stream.

Bonus Play​​

What did you see this year that you loved?
Let me know in the comments, or on Twitter and Facebook!

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Episode 7 of the Filmed Live Musicals podcast is out! 

This week I chat with the Executive Director of the Westcoast Black Theatre Troupe (WBTT), Julie Leach. Based in Sarasota, Florida, WBTT is a non-profit theatre founded in 1999 by Nate Jacobs. The company’s mission is “to produce professional theatre that promotes and celebrates the African American experience, that attracts diverse audiences, supports and develops African American artists, and builds the self-esteem of African American youth.”

We look at how WBTT were able to pivot during the COVID-19 shutdown, connection with community, the business end of putting theatre online, and Vinnette Carroll's Your Arms Too Short to Box With God.

Learn more WBTT's filmed live productions Your Arms Too Short to Box With God and Rockin' Down Fairytale Lane in the Filmed Live Musicals database, and check out WBTT's current productions at www.westcoastblacktheatre.org. 

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Filmed Live Musicals is a labor of love. All the thanks to patrons Josh Brandon, Mercedes Esteban, Jesse Rabinowitz and Brenda Goodman, Al Monaco, David and Katherine Rabinowitz, and Bec Twist for your support! 

If you're able to support the site financially, consider becoming a Patron! Pledges start at $2 a month, and no matter what level you can pledge, you'll get early access to content, including the podcast. Sign up today! 

It is no secret that as a result of the pandemic, theatre companies have lost their most significant stream of revenue: ticket sales. As I wrote a couple of weeks ago, while some theatres are streaming shows, others are responding to the COVID-19 shutdown by branching out into new areas, creating new streaming platforms, and selling virtual tickets to online content. 

In May, TodayTix temporarily rebranded as TomorrowTix and launched a platform allowing theatre companies across the United States to sell tickets to online shows. As with the previous incarnation of the site, content is available by city, though it seems most virtual content is available across all cities. 

At the time of writing, offerings include comedy and improv, concerts, drag shows, and two musical-esque productions, The Keep Going Song and A Killer Party. 

The Keep Going Song is presented by the Actors Theatre of Louisville (who back in 1973 produced In Fashion). Described as “an intimate evening of storytelling through song,” the piece was written and performed by indie-folk duo Abigail and Shaun Bengson during lockdown. Ben Brantley gave The Keep Going Song the New York Times Critic’s Pick stamp of approval, and the music is truly extraordinary. You have until October 8 to stream it. Virtual tickets are available via TodayTix and directly from Actors Theatre of Louisville, on a sliding scale between $15 - $100 (not including fees). 

A Killer Party is an episodic murder mystery musical directed by Broadway musical director Marc Bruni. The cast includes a slew of Broadway stars including Carolee Carmello, Jackie Burns, Jeremy Jordan, Laura Osnes, and Alex Newell. The music was composed by Jason Howland (who, among many other credits, did the arrangements on Jekyll and Hyde), with lyrics by Nathan Tysen, and book by Kait Karrigan. Rachel Axler, who worked on Veep, The Daily Show, and Parks and Recreation, is also credited as a writer. Composed and performed entirely during quarantine, A Killer Party is a laugh out loud, silly, and joyful spoof. It’s available via TodayTix and directly from A Killer Party Musical for $12.99, which provides access to all 9 episodes.
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In late July, Playbill launched Social Selects, theatre-themed interactive online events that include tours of Broadway theatres and theatre sites in NYC, storytelling events, cooking, and wine-pairing. Events range in price from $9.99 - $21.99. Tickets for the HamilTour, which will visit Hamilton-related locations around NYC on October 7 and 14, are currently on sale. 
And just a couple of weeks ago, Goldstar launched Stellar, a new monetized streaming platform. The site currently has nearly 50 productions, including concerts, comedy, and from-artist-living-room events.

Coming up we'll be taking a look at another innovation, drive-in theatre! 

What are you watching? Let me know in the comments, or on Twitter or Facebook! 

In episode 3 of the podcast, Luisa chats with the founder and artistic director of Prima, Mitch Nugent. Based in Lancaster, PA, Prima is a non-profit organization focused on invigorating lives through fresh theatrical experiences. 

An experienced actor, director, and producer, Mitch has led Prima from its start in 2010 as a nomadic organization, to its own home in 2018. On the west side of Lancaster City, Prima’s new venue offers an exciting location for boutique musicals, concerts and special events. 

We chat about how Prima has responded to the COVID-19 crisis, what it takes to put theatre online, developing drive-in theatre, and how bootlegs are akin to medical marijuana! 

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Learn more about Prima at https://primatheatre.org/. ​

Can’t wait for Hamilton on July 3? Catch Lin-Manuel’s one-act musical 21 Chump Street. Want a moving musical to commemorate Memorial Day? Try out the Millennium Wales Centre production of Only the Brave. Need something to occupy the kids? Try Chichester Theatre Festival’s production of The Midnight Gang. If you’re feeling literary, you can catch Wasted, a rock musical about the Brontë family, or Emma Rice’s joyous Wise Children. Science more your thing? You can watch Tangram Theatre’s The Element in the Room about Marie Curie. Or perhaps you'd like to celebrate some historic women? Take a look at the new song cycle Passion Project.

Here is a list of over 30 musicals you can currently watch online (legally!) for free! There truly is a musical for everyone!

Musicals are sorted below by Broadway & West End Composers, off-Broadway & off-West End Beyond London & New York, Musicals in Development/Concert Readings, & Family Friendly.

If you’re able, please consider making a donation to the theatre or company making their content available. As reported by producer Sonia Freedman this week, up to 70% of theatres in the UK risk permanent closure by the end of the year, and things are also looking grim in the US.

Still want MORE musicals?
Use the Filmed Live Musicals database to search for musicals to watch online!