On episode 41 of the Filmed Live Musicals podcast, host Luisa Lyons chats with author, director, actor, and producer Ben Rimalower. Topics include the importance of cast recordings, working with Patti LuPone, creating the one-person show Patti Issues, and how Ben came to work with Lonny Price. We also take a deep dive into the 2001 Sweeney Todd with San Francisco Symphony Orchestra starring Patti LuPone and George Hearn, for which Ben was the assistant director.
BEN RIMALOWER is the author and star of the long-running solo plays Bad with Money (The Advocate’s #1 of 2014) and Patti Issues (New York Time Critics Pick, M.A.C. and Bistro Awards), available as a double audiobook on iTunes, Audible and Amazon, as well as host of the Broadwayworld/Broadway Podcast Network co-productions, Ben Rimalower’s Broken Records and Next Year, Some Year. He writes the theatre column in Metrosource Magazine and is a frequent contributor to Vulture, Out, The Huffington Post and Time Out New York, with past regular columns at Playbill, Broadwayworld and Decider. Ben directed Snoopy! (Symphony Space, starring Tony winners Sutton Foster and Christiane Borle), the Off-Broadway plays Joy (Actors Playhouse) and The Fabulous Life of a Size Zero (Daryl Roth/DR2 Theatre, starring Gillian Jacobs and Anna Chlumsky), and a slew of solo shows, most notably conceiving and directing Leslie Kritzer is Patti LuPone at Les Mouches and subsequently producing Ghostlight Records’ “Patti LuPone at Les Mouches.” He is recognizable around the world for his four seasons on Bravo’s “The Real Housewives of New York City” as the writer-director of Luann de Lesseps’s record-breaking cross-country cabaret sensation, Countess And Friends. He also co-wrote de Lesseps’s hit single, “Feelin’ Jovani.”
Follow @benrimalower on Twitter, Facebook, Instagram and YouTube and visit benrimalower.com.
Patti Issues and Bad with Money are available via Audible (as an Amazon Associate I may earn from qualifying purchases from this link).
Filmed Live Musicals is the most comprehensive online searchable database for musicals that have been filmed live on stage. Visit www.filmedlivemusicals.com to learn more. Follow us on Facebook and Twitter. You can also support the site at Patreon. Patrons get early access to content, no matter how much you pledge.
Filmed Live Musicals is created by Luisa Lyons. Luisa is an Australian actor, writer, and musician. She holds a Masters in Music Theatre from London's Royal Central School of Speech and Drama and now lives, works, and plays in New York. Learn more at www.luisalyons.com or follow on Twitter, Instagram, and Facebook.
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Host Luisa Lyons chats with Tralen Doler, the Vice President of Partnerships & Brand Engagement at Broadway Licensing.
Topics include how the pandemic has changed the game for theatre streaming, the importance of teachers in the early days of the pandemic, ShowShare, Tralen’s “yes and!” approach to digital theatre content and his genius idea for for filming Wicked live, how streaming sports can provide a model for theatre, the case for an abundance of theatre streaming and more!
Tralen Doler Vice President of Partnerships & Brand Engagement at Broadway Licensing, previously served as the VP of Partnerships & Programming for Broadway On Demand. Before joining Broadway Licensing, he was the Content Manager at Music Theatre International and Artistic Director of The Little Theatre on the Square. He currently serves on the Advisory Board for New York Theatre Barn and produces the Night of a Thousand Genders gala, benefitting the Gender and Family Project.
Visit www.broadwayondemand.com to find a wealth of theatre content from around the world!
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On episode 34 of the Filmed Live Musicals podcast, host Luisa Lyons chats with Jean-Paul Yovanoff, the artistic director of Musical Theatre Radio and co-founder of the new virtual theatre space, The Jill Edmund Theatre.
Learn about how Jean-Paul got a very early start in show business, career pivots and the creation of Musical Theatre Radio (currently available to stream across North America and the UK), being a musical recording collector in the digital age, and the development of the Jill Edmund Virtual Theatre.
Jean-Paul Yovanoff is the founder of MusicalTheatreRadio.com an internet radio station, co-founder of the Jill Edmund Virtual Theatre, Assistant Producer of Vanier College Productions (York University), composer/lyricist/librettist (Paradise Island, Seven of Us), Directing Credits Include: Peter and the Starcatcher, Festival IV, Paradise Island, Secondary Wishes, Nose to Nose. Producing Credits: Ground Zero One Act Play Festival (1996 - 2002, 2018) Vanier College Productions (2017-2022) Education: Musical Theatre Performance (Sheridan College) Theatre Studies - Fine Arts (York University) Jean-Paul has been a Mobile DJ, Virtual Event Tech and owner of Performers Looking for Work, a mascot company. Learn more at www.musicaltheatreradio.com and www.jilledmund.com, and follow on Twitter and Instagram.
Host Luisa Lyons chats with Ricky and Dana Young-Howze, also known as RnD, theatre critics who throughout the pandemic have reviewed over 200 digital theatre productions.
In this deeply informative discussion, RnD share wisdom about digital theatre, being critics, theatre and accessibility, and the impact of disability on audiences both in person and online.
We chat about how chronic illnesses affected Ricky and Dana’s careers, how the pair became theatre critics, how a series of unfortunate events at the start of 2020 almost led to their quitting reviewing altogether and how the pivot to digital theatre opened up a whole new world of access to theatre. We discuss disability and theatre access, the role of critics in theatre, seeking out work by queer, Black, and disabled artists, why brick and mortar theatres have resisted digital theatre, and more!
RnD also known as Ricky and Dana Young-Howze (they/them) are theatre critics from South Jersey. They have reviewed over 200 digital theatre reviews during the pandemic. They are vocal advocates for how digital theatre can be tool for indie, BIPOC, LGBTQ, and artists with disabilities. Besides reviewing they offer 1-on-1 Theatre Criticism classes, social media consulting, and dramaturgy. Talk to us at email@example.com. Find our articles at www.rndyounghowze.tumblr.com and www.howlround.com/two-hundred-digital-theatre-reviews-and-counting. Venmo: @rndyounghowze. Become a patron at www.patreon.com/rndyounghowze.
Host Luisa Lyons chats with Freya Catrin Smith and Jack Williams, founders of new musical theatre company Bottle Cap Theatre, and creators of recently streamed musicals The Limit, about mathematician Sophie Germain, and RIDE, about Annie Londonderry, the first woman to ride around the world on a bicycle.
Topics include how song cycles and the Edinburgh Fringe inspired Freya and Jack to start writing musical theatre, deadlines and creativity, the development of The Limit, and RIDE, how the pair feel about filming their work, and more!
Freya Catrin Smith and Jack Williams are award-winning composers and lyricists, and founders of Bottle Cap Theatre. Their work focuses on telling female led stories and includes musicals RIDE (The Garrick, 2021) and THE LIMIT (VAULT Festival 2019). They are the joint winners of Aria Entertainment and ALP's Chamber Musical commission (2021).
Their work has been performed at venues including: The Garrick, The Other Palace, The Roundhouse and The Leicester Square Theatre, and has been developed with drama schools including the Royal Central School of Speech and Drama and ArtsEd.
In 2021 Freya received a Michael Grandage Futures Bursary and took up a writing residency at Norwich Theatre Royal.
Learn more at www.bottlecaptheatre.com, follow on Twitter, and at Freya Catrin Smith, and Jack Williams.
Available wherever you listen to podcasts or on Buzzsprout.
When I first started researching At the Drop of a Hat (1962), and its sequel At the Drop of Another Hat (1967), I wasn't expecting to need to dedicate a whole lot of time to it. It's just two white dudes singing comedy songs right?!
As I delved deeper into the comedic duo of Flanders and Swann, I became intrigued by their stories. Both were fascinating men who were immensely brilliant writers and, by all accounts, absolutely charming individuals.
As a young man, Michael Flanders had contracted polio and as a result became a wheelchair user. From what I can gather, Michael Flanders was the first actor in a wheelchair to perform on Broadway and in the West End. Writers of the day barely gave this fact a mention, and one author infuriatingly noted that maybe Flanders "could surely step out" of his chair. Flanders faced many difficulties as a performer in a wheelchair, and he was devastated that despite the fact he could perform, other wheelchair users were not permitted in the theatre. He became a passionate advocate for the rights of people with disabilities, a cause his wife Claudia Cockburn also became involved in and was awarded an Order of the British Empire for her work.
Donald Swann was born in Wales, the child of a British national father born in Russia and a Muslim mother from southern Russia in what is now Turkmenistan. Swann was a conscientious objector in the war and as a result of his service with the Friends' Ambulance in became fascinated with the music and culture of Greece.
Through their revue At the Drop of a Hat, the duo performed not only in the West End and on Broadway, but across the United States, in Switzerland, Australia, New Zealand, and Hong Kong.
The taping of their two shows in 1962 and 1967 also revealed history about concerns of filming live theatre, how performers should be remunerated for broadcasts, and the role of theatre on television.
Information about the filming of At the Drop of Another Hat was relatively easy to find. The show had been filmed at the Ed Sullivan Theater in New York and was released on VHS. The footage is currently available on YouTube, under the erroneous title "The Only Flanders & Swann Video."
Watching the video, it struck me that Flanders sometimes seemed to be in a bad mood, and some of the audience members even appeared to be bored. I later learned that the studio taping took over 7 hours. Flanders and Swann were reportedly frustrated by the stops and starts to adjust lighting and angles, and the audience were likely exhausted.
I kept finding mention of At the Drop of a Hat being filmed, but couldn't find information on where or when. This lead me to one of my all time favorite pastimes, delving into the archives at the Billy Rose Theatre Division at the New York Public Library for the Performing Arts.
The archive holds literally hundreds of boxes containing the papers of Alexander H. Cohen, the groundbreaking American producer who bought Flanders and Swann to Broadway. Due to space and COVID restrictions, and limited time to spend at the library, I was only able to access exactly 6 boxes per appointment, and I had to choose from the hundreds of boxes which 6 boxes might hold the answers to my questions.
I hit the jackpot in a folder labelled "Alexander H Cohen Papers, Billy Rose Theatre Collection, Theatre - At the Drop of a Hat Correspondence 1957." Letters exchanged between Cohen, Michael Flanders, and Flanders and Swann's agents at MCA, detailed that At the Drop of a Hat had been filmed with an invited audience at the BBC's Studio 4 in London. It was filmed as part of the Festival of the Performing Arts, a short-lived cultural television program sponsored by the New Jersey Standard Oil Company.
The program was only supposed to be aired in the US, but the BBC immediately wanted to air it in the UK. The letters detail Flanders and Swann's concerns over a UK release, which included worries about the impact on future ticket sales, and also proper renumeration for such a broadcast. British Equity had just emerged from a 7 month strike against ITV over payments based on potential audience size, and Flanders and Swann wanted to ensure they were properly compensated.
Although it has not been released since airing on either British or American television, truncated video footage of At the Drop of a Hat may still exist, as Donald Swann discusses watching it, with some trepidation, many years later in his autobiography.
I'm so glad that my research led me to the work of Flanders and Swann. While some of their comedy is a little dated, much of the music and witty songs are as delightful and fun as when they were first performed over seventy years ago.
You can learn more about At the Drop of a Hat and At the Drop of Another Hat in the database!
Host Luisa Lyons chats with a leader in the world of digital theatre, Jared Mezzocchi.
Topics include the intersection of theatre and film, how Jared’s mom (who was also his 8th grade math teacher), helped him see the world through numbers and story-telling, we deep dive into the world of digital theatre - what it is, what should we do with it, and delve into Luisa’s favorite question “what should we call it?!”
Jared Mezzocchi is an Obie award winning director and multimedia designer, playwright, and actor. Mezzocchi’s work spans the United States at notable theaters such as: The Kennedy Center, Arena Stage, Geffen Playhouse, Woolly Mammoth, Cornerstone, Portland Centerstage, South Coast Rep, HERE Arts, and 3LD. In 2016, he received The Lucille Lortel and Henry Hewes Award for his work in Qui Nguyen’s Vietgone at the Manhattan Theatre Club. In December of 2020, The New York Times highlighted Jared on a list of the top 5 national artists making an impact during the pandemic. His work on Sarah Gancher’s Russian Troll Farm, Caryl Churchill’s What If If Then and his own work Someone Else’s House was all praised for being some of the first digitally native successes for virtual theater. He is a two-time Macdowell Artist Fellow, a Princess Grace Award winner, Artistic Director of Andy’s Summer Playhouse, and an Associate Professor at The University of Maryland. Learn more at www.jaredmezzocchi.com and follow on Twitter.
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Pre-pandemic the rules for streaming local school or community musical productions were very clear: no filming allowed! Although it was sometimes possible for these groups to buy additional licenses to film the show for archival purposes or purchase a license to sell show DVDs to friends and family at cost.
The pandemic saw a seismic shift in permissions for streaming. It took much negotiating with playwrights, composers, and music publishing houses, but it is now easier than ever for schools and amateur theatre groups to stream their productions so that non-local relatives, friends, people restricted by geography, physical ability, or global pandemics, can tune into their productions.
Due to the complex negotiations required for streaming, it’s not surprising that licensing companies themselves are behind new specialized platforms for streaming theatre. After purchasing a license for a show, schools and community groups can use platforms such ShowTix4U and ShowShare to stream their productions. One fee takes care of royalties and streaming rights, and the ticket sales or donations are all through the one platform. The platforms also provide tech and streaming support, resulting in higher quality streams than using Zoom, YouTube, or Facebook Live.
The first platform to go live was ShowTix4U, which launched in mid-June 2020. A partnership between musical licensing company Music Theatre International (MTI), streaming platform Digital Theatre, and tech experts Broadway Media, ShowTix4U provides a platform for both ticket sales and streams. Tickets can be sold to both in-person and streamed events, and shows can be streamed live or on demand. Another benefit of using the platform, is that licensing fees and royalties for MTI shows are automatically part of the fee.
MTI titles are available with 4 different types of streaming rights: Live-Streaming (streamed in real-time), Scheduled Content (stream pre-recorded productions), Video on Demand (pre-recorded video or previous productions), or Remote Content (produced virtually). There are currently 97 titles available including Annie, Billy Elliot the Musical, Daddy Long Legs, Spring Awakening, Urinetown, and Working. There are also 35 Disney titles available, including Aladdin, Beauty and the Beast, and The Descendants, and The Little Mermaid, and Newsies, with most only available using Scheduled Content Streaming. According to Playbill, the top three streamed MTI titles throughout the pandemic were Songs for a New World, Disney’s High School Musical, and Annie.
An initiative of Broadway on Demand, ShowShare launched in September 2020. Its current licensing partners include Broadway Licensing, Playscripts, Stage Rights, Concord Theatricals, and Youth Plays. Musicals with streaming rights include After Midnight, BRKLYN the Musical, Emma: A Pop Musical, and Polkadots. According to Broadway on Demand Vice President Tralen Doler, 1466 schools streamed their musical productions via ShowShare throughout the pandemic. The most produced musicals were Emma, Disenchanted, and You’re a Good Man, Charlie Brown.
A third platform is BookTix, which as its name suggests, started as a digital ticket booking platform. Founders Tim DiVito and Jason Goldstein increasingly saw a need to also provide streaming services, and expanded. As of May 2020, BookTix is partnered with Theatrical Rights Worldwide, whose entire catalog, including Monty Python’s Spamalot, Bright Star, The Prom, and The Color Purple, includes free streaming rights. According Director of Operations Cassie Balint, the most produced musical “by far” throughout the pandemic was The Addams Family. Other popular shows included You’re a Good Man, Charlie Brown, We Will Rock You, and Spamalot.
It will be great to see these streaming rights extended to professional productions, though this will need a significant shift from Equity and SAG/AFTRA, who have long battled over how to negotiate who gets paid what for live theatre broadcasts.
I have been sharing upcoming high school and community theatre streams in the weekly Filmed Live Musicals newsletter. Sign up to find out what’s streaming near you!
Sick of staring at your screen, but still feel craving some musical theatre? Why not try an audio musical!
Audio musicals can be stage shows adapted for audio-only, others are written specifically for podcasts. It’s like radio theatre! With the cost of production being significantly lower than mounting a full stage production, and powerhouses Audible and Clubhouse joining the game, I think we will continue to see more audio musicals being released into the world.
Here’s a collection of 20 audio musicals from the United States, Canada, the UK, and Australia, for your listening pleasure. Ranging in length from 10minutes to full-length musicals, and with a wide range of topics including the first woman to row across the Atlantic, growing up with dyslexia, LGBTQ love stories, murder mysteries, re-vamped fairy tales, and the first dog in space, there truly is something for everyone.
10 Days That Shook the World
Produced by Thereby Hangs A Tale Productions and presented by the TTS World Wide Virtual Fringe Festival, this audio musical is set in Petrograd, 1917, where a pair of married journalists are about to experience an all-singing, all-rioting, Russian Revolution. An irreverent retelling of a true story featuring songs and spoken word. For anyone who’s ever wanted to change the world. Written and directed by Milo Morris. Available for free on Scenesaver.
Billed as the world’s first podcast musical, the show tells the story of a couple in their last-ditch attempt to save their marriage by using the 36 questions, an experiment known for making strangers fall in love. Composed by Chris Littler and Ellen Winter with sound designer Joel Raabe, the musical features Jonathan Groff and Jessie Shelton. It was released in 3 acts in July 2017, and is available from Two Up Productions.
Written by John Cameron Mitchell and Bryan Weller, this podcast musical follows Ceann Mackay who is broadcasting a podcast to crowdfund treatment for a brain tumor from the trailer once occupied by Hedwig Schmidt (of Hedwig and the Angry Inch). Told over 10 episodes, the musical features 31 original songs, and a starry cast including Patti LuPone, Glenn Close, Cynthia Erivo, Marion Cotillard, Laurie Anderson, and John Cameron Mitchell. The podcast was released in April 2019, and is available on all leading podcast apps including Apple Podcasts and Spotify.
In a world where it’s too dangerous to go outside, a starry-eyed teen cellist risks leaving her apartment to win the love of the rebel punk next door. A twisted musical with a good, pure heart. With a book by Jason Schafer, music by Arthur Lafrentz Bacon, and lyrics Harris Doran, the cast includes Annie Golden, Rebecca Naomi Jones, Marc Kudisch, Sarah Stiles, Taylor Trensch, and Tony Vincent. Available wherever you listen to podcasts and the Broadway Podcast Network.
Childish: The Podcast Musical
A musical comedy presented by Whale Bus about Dante, a college student in NYC, becomes an RA in order to follow in the footsteps of his hero, Childish Gambino. While he hopes this will be the next step toward becoming a famous rapper, his delusions of grandeur are shattered when he realizes his dweebish co-workers are hellbent on making his life miserable. Created by Whale Bus, POC, LGBTQ+. Muslim, Jewish, and Latinx artists, among other underrepresented groups, who strive to uplift and celebrate minority voices on and off mic. Available wherever you listen to podcasts and Whale Bus.
Driving From Barking to Deptford
Billed as “Minder meets Game Of Thrones as a musical,” a podcast musical about the story of three men and their van driving from Barking to Deptford. Presented over 7 episodes by Men with Ven. Available via Bandcamp.
The Fall of the House of Sunshine
A serialized musical comedy adventure where the beloved host of the Sunshine Smile Hour is murdered! Can anyone solve it? Meet the suspects, untangle the mystery. Created by Matt Roi Berger and Jonathan A. Goldberg, and features a starry cast include Bonnie Milligan, Grace McLean, and Larry Owens, Available via Soundcloud.
Theatre Sheridan at Sheridan College in Ontario have launched a new project entitled First Drafts, a series of 5 musicals that “reimagine, reconstitute, and reanimate the Western “musical theatre canon” in a way that acknowledges the truth of where we are now and where we hope to go. First Drafts is grounded in an urgency to make space for stories that must be told now and must continue to be prioritized in our art form.” All pieces are presented as podcast-style audio recordings, and one, To Ronnie, With Love was also rehearsed and filmed remotely. All pieces are available for free via Theatre Sheridan.
The Flame: An LGBTQ Romantic Comedy
An original musical that over 8 episodes tells the story of two women: Jamie, a queer bar owner, and Sam, the woman selling the building the bar inhabits, and the inevitable sparks that end up flying between them. With music and lrurics by Leigh Holmes Foster, book and additional lyrics by Caitlyn Clear, the cast includes Ellie Brigida, Jen Colella, Jasmin Savoy Brown, Chilina Kennedy, Harrison White, Valerie Rose Lohman, and Leigh Holmes Foster.
Produced by Lez Hang Out Productions, the producers, director, writer, and lead characters are all members of the LGBTQ community, and the orchestra is made up predominantly of women.
Available wherever you listen to podcasts including the Broadway Podcast Network.
In Strange Woods
A fictional documentary musical about 18-year-old Peregrine Wells who seeks out survivalist skills from an enigmatic old recluse after a tragedy in the Whitetail National Forest. Produced by Atypical Artists, and created by Jeff Luppino-Esposito, Brett Ryback, and Matt Sav. The cast includes Donna Lynne Champlin, Patrick Page, and Beth Leavel. Available on Apple Podcasts.
It Makes a Sound
A serial fiction musical podcast about what we remember, and what we forget. Deirdre Gardner finds a lost cassette tape from 1992 in an attic and embarks on a quest to revive the sound of a generation. Written by Jacquelyn Landgraf and presented on the Night Vale Presents/PRX network. Available wherever you listen to podcasts and It Makes a Sound.
Little Did I Know
Presented over 9 podcast episodes, this new musical tells the story of a group of friends – recent college graduates – who bring a broken-down summer theatre back to life in 1976. The summer will be different from anything they expected, and what they experience will resonate throughout their lives. Directed by Marlo Hunter, with music by Doug Besterman, lyrics by Dean Pitchford and Marcy Heisler, and book by Lou Aronica and Johanna Besterman. The cast includes Broadway actors Patrick Page, Lesli Margherita, and Richard Kind. Available via Apple Podcasts.
A celebration of the moment of risk, heartbreak, and joy when the wild strangeness of love comes into clearer view presented over 9 episodes. With book and lyrics by David Zellnik and music by Eric Svejcar, the cast features Kathryn Allison, Kathryn Gallagher, Jay Armstrong Johnson, Hailey Kilgore, Mason Alexander Park, Ryann Redmond, and Ali Stroker. Available on Loveville High.
Prime: A Practical Breviary
A song cycle composed by the innovative Christian and named IndieWire‘s number 1 Podcast Episode of 2020. The piece was inspired by breviary masses performed by cloistered monks, employing modern language and rich, contemporary musical arrangements to reimagine what a modern prayer for a Tuesday morning at 6 AM might sound like. Released in April 2020 as part of Playwrights Horizons Soundstage podcast. Available wherever you listen to podcasts.
New musical Row by Daniel Goldstein (book) and Dawn Landes (music and lyrics) was scheduled to have its world premier at the 2020 Williamstown Theatre Festival. Due to the pandemic, the festival was cancelled, but rather than wait, Williamstown pivoted and partnered with Audible Theater to present the world’s first audio theatre festival.
Row is inspired by Tori Murden McClure’s memoir A Pearl in the Storm, which chronicles her incredible journey to becoming the first woman to row solo across the Atlantic. Directed by Tyne Rafaeli, Row features Grace McLean as Tori, supported by Kerstin Anderson, John Ellison Conlee, Nehal Joshi, Tamika Lawrence, John McGinty, Kathryn O’Rourke, Lance Roberts, Sean Stack, and Sally Wilfert.
The musical is currently available on Audible (affiliate link), and will be also presented in person at the 2021 Williamstown Theatre Festival in Massachusetts from July 13 - August 15, 2021.
Sammy Smile Music
This music publishing company have developed two “audiobook musicals”, Spin the Rumpelstiltskin Musical, and Puss in Boots: A Musical, both with music by Neil Fishman and lyrics by Harvey Edelman. Both musicals are re-tellings of classic fairytales, and have won multiple awards. A new musical, Dead End the Musical will be released in 2022.
A tragic alt-country australiana romantic horror musical podcast set in a jaded small town on Australia’s east coast. Written by audio and multiplatform producer Jessica Hamilton, the podcast was inspired by a surf trip down the coast through small town Australia listening to country community radio, and a real life Slaughterhouse Road. Presented in 3 acts. Available on Spotify and Slaughterhouse Road.
Created as part of The Truth podcast, the musical tells the story of Doc, Penny, & Jojo who had a band that was going nowhere, until they found a drum machine that transported them into their songs. Written by Jonathan Mitchell and Josh Perilo, and presented over 8 episodes. Available via The Truth podcast.
Originally produced as a stage show in 2017, this Canadian musical about growing up with dyslexia has been re-imagined as a radio play. Written and performed by Katherine Cullen and Britta Johnson, the musical is being made available in three formats. From July 7 - 16, the musical is available to livestream at select times. From July 20 - August 1, audiences in Toronto can book a performance in their own backyard, and from August 16 - 29, the musical will play at TIFT’s “Bees in the Bush Festival.” Tickets for the audio broadcast are $15CAN. More info and tickets from Outside the March.
Take a Ten
Need a ten minute break? Founded by NYC composer Andy Roninson, and first released in 2013, the podcast features 17 original 10 minute musicals. Writers and performers include Laura Osnes, Rob McClure, Kathryn Allison, George Salazar, and Mary Page Nance. Available wherever you listen to podcasts and on Take a Ten.
U.Me: The Musical
An original musical by Theo Jamieson (book, music, and lyrics, and former music director for Everybody’s Talking About Jamie), and Simon Pitts (book) about two young people on opposite sides of the world who meet online and make a true connection. Commissioned by the BBC, the audio musical premiered on May 12, 201 on BBC World Service. The musical features a diverse and international cast including Anoushka Lucas, Martin Sarreal, Kevin Chen, Nicole Deon, and Michelle Yumiko Payne, with narration by Stephen Fry, and music performed by the BBC Philharmonic. A free online programme includes cast and crew bios, and the complete lyrics.
U.Me is now available on the BBC Sounds podcast.
The World to Come
In a post-apocalyptic world with no internet or electricity, five disparate factions vie for dominance in the city-state of Fiveboro. Each tribe worships at the altar of the bygone pop-culture references of an earlier time, and relishes the stories of film and television they've never actually seen. Created by Rachel Klein, Andy Peterson, and Erik Ransom, and presented by David Treatman Creative and Iconoclast Theatre. Available wherever you listen to podcasts and The World to Come.
Keep an Ear Out
The following musicals are not currently available, but they deserve a mention for their innovative use of the medium and what could be coming up next.
Triassic Parq: The Musical: Radial Park
First premiering off-Broadway in 2012, this musical comedy is told from the perspective of dinosaurs from a certain Theme Park as they discover the truth about faith, science, innocence, sex, and gender identity. In late May 2021, the musical was performed for three shows only at the drive-in at Radial Park in Queens. Billed as the world’s first binaural musical, the show was performed live with “atmospheric and stage projections”, with in-person audience members receiving special “silent-disco” type headphones. Remote audiences were also able to tune into the audio simulcast.
Launched in March 2020, Clubhouse is an invite-only audio app with chatrooms where users can host and join live discussions. The app has has been host to several audio musicals, all of which have been produced, directed, and performed by people of color, including The Lion King (December 2020), Dreamgirls (March 2021), The Wiz (March 2021) and Fela! (May 2021).
The Lion King featured a 40-member cast, choir, live music, and orchestrated pull-to-refresh (PTR) imagery where performers changed their profile pictures to re-create scenes from the movie. The entire cast and crew were people of color, including director and executive producer Noelle Chestnut Whitmore, musical directors Bomani X and Kam DeLa, and lead actors Chris “Boogie” Glover (Mufasa), Myles Grier (Simba), and Mir Harris (Nala). Performed over two shows on December 26, over 5000 people tuned into each show, and #LionKingCH trended nationally on Twitter.
Dreamgirls held an open call through the app on January 2, with over 10,000 people tuning in for the auditions. The musical was performed over four performances on February 27 and 28 with four different casts, featuring professional and amateur performers. The musical received creative input from original Broadway cast member Sheryl Lee Ralph, London revival cast member Amber Riley, and composer Henry Kreger.
Produced by Talia Moore and Serita Carton, The Wiz was performed by two different casts on March 12 and 13, 2021. Like The Lion King, the audio musical employed PTR to create dynamic visuals. The Friday show featured singer/songwriter YahZarah as Dorothy, and the Saturday show featured singer Alana Houston. Each show attracted over 3000 listeners.
Fela! was adapted into Fela Ten Twenty and set in the #EndSARS movement, a protest against police violence in Nigeria that erupted in late 2020 and resulted in the death of 12 people. The musical was produced by original Fela! producer Stephen Hendel along with Maduka, and Ọlabimpe Ọlaniyan, and featured an international cast hailing from Nigeria, the U.K., and the U.S. Like Dreamgirls, cast and creatives from the original Broadway production served as consultants. The production intentionally tripled speaking roles for women in the musical, to show the vital role of women in the struggle for equality and progress.
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On episode 22 of the Filmed Live Musicals podcast, host Luisa Lyons chats with Susan Jamson, Press and PR Manager for the north London based inclusive theatre company Chickenshed.
Chickenshed is an inclusive theatre company that first began in 1974. Primarily based at their purpose-built venue in North London, they create theatre for all ages and run successful outreach projects, education courses and membership programmes throughout the year. As a result of lockdown, Chickenshed have made many of their past shows available for free online.
In this moving chat, Susan shares some of the stories from her 30 years with Chickenshed, her experience of raising a child with down syndrome, how finding an inclusive theatre company changed her family's life, the origins of Chickenshed and how the company has grown over the years, how they adapted to lockdown, and the importance of filming theatre.
Learn more about Chickenshed at www.chickenshed.org.uk and visit their YouTube channel to see some of their incredible work!
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