Host Luisa Lyons chats with Doug Reside, curator of the Billy Rose Theatre Division at the New York Public Library and author of Fixing the Musical: How Technology Shaped the Broadway Repertory, which looks at how the musicals that we remember, and the ones that are the most performed, are the musicals that were able to use the technologies of their time such as cast recordings, sheet music, and video, to document and share the work with those who would never see the original production on stage.
Doug shares his background in English and Computer Science, the challenges of preserving theatre history and the challenges of digital preservation, and we dive into his book Fixing the Musical and the fascinating history behind filming Broadway for public distribution, what needs to happen to make film recordings as ubiquitous as cast recordings, and how you can access the Theatre on Film and Tape Archive at the New York Public Library! Doug Reside is the Curator of the Billy Rose Theatre Division at New York Public Library for the Performing Arts and manages all aspects of the division’s collections and public services. He joined NYPL in 2011 first as the digital curator for the performing arts before assuming his current position in 2014. Prior to joining NYPL, Reside served on the directorial staff of the Maryland Institute for Technology in the Humanities at the University of Maryland. He holds a PhD in English from the University of Kentucky. SHOW LINKS (The below are affiliate links and as an associate, Filmed Live Musicals may earn a small commission from qualifying purchases made through these links at no extra cost to you.) Fixing the Musical: How Technology Shaped the Broadway Musical
The Filmed Live Musicals podcast is also available on Apple Podcasts, Spotify, and on YouTube. Listen elsewhere? Find the show on your favorite podcast app here.
Like what you hear? Rate and review us on Apple or Spotify! Let's get social! Find us on Facebook, Instagram, Twitter, and YouTube. Want to support the preservation of the history of filmed stage musicals and the curation of one easy place to find them all? Become a patron or make a tax-deductible donation! Filmed Live Musicals is created by Luisa Lyons, an Australian actor, writer, and musician. Luisa holds a Masters in Music Theatre from London's Royal Central School of Speech and Drama and now lives, works, and plays in New York. Learn more at www.luisalyons.com and follow on Twitter, Instagram, and Facebook.
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Host Luisa Lyons chats with Kevin Purcell, the multi-award winning Australian conductor, musical director, composer, and arranger whose work spans across the worlds opera, classical, and musical theatre.
Go behind the scenes of Kevin’s latest work, Castle Gillian: An Irish Tale, a full-length virtual reality musical. Discover how the musical came to be, how it was made, and the exciting new model behind its release. Castle Gillian was an official selection of the Festival of International Virtual and Augmented Reality Stories; and was recently screened at the Cannes World Film Festival where it was nominated for Best Soundtrack, and won Best 360º Film, and Best Musical Film. Kevin also shares the inspiring story of his grandma - Dame Mary Dale, how being an opera conductor led him to musical theatre, the differences between working in the classical world and musical theatre, and working on the capture of Cats! Kevin Purcell is one of Australia’s most distinguished and awarded orchestral and opera conductors. Currently, Kevin serves as musical director for the Australian Discovery Orchestra – one of the world’s most innovative orchestral ensembles – whilst maintaining an active freelance career in the USA. He originally studied conducting at the Moscow Conservatory with Gennady Rozhdestvensky (1992), with subsequent graduate conducting studies at the Janácek Academy of Music (JAMU) with Otakar Trhlík, culminating with a Masters degree in orchestral conducting at Bard College (NY) under the late Harold Farberman. Additionally, Kevin studied Opera conducting with British conductor and Glyndebourne music director, Myer Fredman and Carlo Montanaro. Kevin has previously been the musical director of the original production of CATS at the New London Theatre and for the South Korean Premiere production. More recently Kevin has conducted WICKED at London’s Apollo Victoria theatre and was the originating musical director for the first national UK/Eire tour. As a composer of musicals, Kevin has worked with his long-time collaborator, book writer and lyricist Victor Kazan on Rebecca, The Stranger from Seville and Castle Gillian. He is a member of The Recording Academy and the Dramatists Guild. Kevin is managed by Francine Fletcher at Fletcher Associates (UK) and William Reinert Associates, Inc. (USA). Show Links
The Filmed Live Musicals podcast is also available on Apple Podcasts, Spotify, and on YouTube. Listen elsewhere? Find the show on your favorite podcast app here.
Like what you hear? Rate and review us on Apple or Spotify! Let's get social! Find us on Facebook, Instagram, Twitter, and YouTube. Want to support the preservation of the history of filmed stage musicals and the curation of one easy place to find them all? Become a patron or make a tax-deductible donation! Filmed Live Musicals is created by Luisa Lyons, an Australian actor, writer, and musician. Luisa holds a Masters in Music Theatre from London's Royal Central School of Speech and Drama and now lives, works, and plays in New York. Learn more at www.luisalyons.com and follow on Twitter, Instagram, and Facebook. |
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