On episode 33 of the Filmed Live Musicals podcast, host Luisa Lyons chats with actress, singer, writer, content creator, and puppeteer Laura Kay Clark all about her new family-friendly musical Petunia’s Playhouse.
Topics include the influence of Joseph and the Amazing Technicolor Dream Coat, choosing a different path than going through a traditional musical theatre program, what drew Laura to puppetry, the inspiration behind Petunia and how she helped Laura, and many others, navigate mental health through lockdown, the challenges of putting on a live show during COVID, how streaming helped the company face those challenges, and the importance of streaming in providing access to theatre for vulnerable people. Petunia's Playhouse will be streaming on demand worldwide from Jan 17 until Feb 6, 2022. More info and tickets at Eventive. Laura Kay Clark is a New York City-based actress, singer, writer, content creator, and puppeteer. Originally from Ohio, Laura moved to New York in 2013 to attend the prestigious Actors Studio Drama School, where she obtained her MFA in Acting in 2016. Laura has performed in a variety of plays and musicals in the NYC area, and has found a lot of fulfillment creating her own work. In 2016, she premiered her one woman show, I Kissed Your Boyfriend: Another Feminist Rant, off-Broadway at the United Solo Theatre Festival. Laura created, wrote, produced, and starred in the family-friendly puppet series Petunia’s Playhouse, which has been sweeping festivals and has won several honors, including Best Web Series at the NYC International Fringe Festival. Laura recently adapted Petunia's Playhouse for the stage with composer Billy Recce. Laura co-founded the independent production company Party Claw Productions with NYC Artist Ashley Kristeen Vega, and their inaugural film Wide Eyed has gained recognition at several film festivals. Laura infuses all of her work with authenticity and humor. She hopes to end the stigma surrounding mental health and promote body positivity and inclusiveness in all of her work. Laura is a proud member of Actors’ Equity Association and the Dramatists Guild. www.laurakayclark.com
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Host Luisa Lyons chats with Ricky and Dana Young-Howze, also known as RnD, theatre critics who throughout the pandemic have reviewed over 200 digital theatre productions.
In this deeply informative discussion, RnD share wisdom about digital theatre, being critics, theatre and accessibility, and the impact of disability on audiences both in person and online. We chat about how chronic illnesses affected Ricky and Dana’s careers, how the pair became theatre critics, how a series of unfortunate events at the start of 2020 almost led to their quitting reviewing altogether and how the pivot to digital theatre opened up a whole new world of access to theatre. We discuss disability and theatre access, the role of critics in theatre, seeking out work by queer, Black, and disabled artists, why brick and mortar theatres have resisted digital theatre, and more! RnD also known as Ricky and Dana Young-Howze (they/them) are theatre critics from South Jersey. They have reviewed over 200 digital theatre reviews during the pandemic. They are vocal advocates for how digital theatre can be tool for indie, BIPOC, LGBTQ, and artists with disabilities. Besides reviewing they offer 1-on-1 Theatre Criticism classes, social media consulting, and dramaturgy. Talk to us at rndyounghowze@gmail.com. Find our articles at www.rndyounghowze.tumblr.com and www.howlround.com/two-hundred-digital-theatre-reviews-and-counting. Venmo: @rndyounghowze. Become a patron at www.patreon.com/rndyounghowze. 
Host Luisa Lyons chats with Freya Catrin Smith and Jack Williams, founders of new musical theatre company Bottle Cap Theatre, and creators of recently streamed musicals The Limit, about mathematician Sophie Germain, and RIDE, about Annie Londonderry, the first woman to ride around the world on a bicycle.
Topics include how song cycles and the Edinburgh Fringe inspired Freya and Jack to start writing musical theatre, deadlines and creativity, the development of The Limit, and RIDE, how the pair feel about filming their work, and more! Freya Catrin Smith and Jack Williams are award-winning composers and lyricists, and founders of Bottle Cap Theatre. Their work focuses on telling female led stories and includes musicals RIDE (The Garrick, 2021) and THE LIMIT (VAULT Festival 2019). They are the joint winners of Aria Entertainment and ALP's Chamber Musical commission (2021). Their work has been performed at venues including: The Garrick, The Other Palace, The Roundhouse and The Leicester Square Theatre, and has been developed with drama schools including the Royal Central School of Speech and Drama and ArtsEd. In 2021 Freya received a Michael Grandage Futures Bursary and took up a writing residency at Norwich Theatre Royal. Learn more at www.bottlecaptheatre.com, follow on Twitter, and at Freya Catrin Smith, and Jack Williams. Available wherever you listen to podcasts or on Buzzsprout.
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Host Luisa Lyons chats with Singaporean actress, singer-songwriter and arts educator Ethel Yap.
Learn how Ethel worked to establish herself as an actor in her home country of Singapore after training in London, how Pangdemonium was formed, how working with The Theatre Practise (TTP) helped Ethel learn Mandarin, the state of unions — and the role of government — in Singaporean theatre, Chinese-language musicals Liao Zhai Rocks! and Lao Jiu, and Pangdemonium’s production of Urinetown. Ethel Yap is a Singaporean actress, singer-songwriter and arts educator who has appeared in numerous theatre and television productions in a variety of lead and supporting roles. Her work includes Liao Zhai Rocks, Beauty World, Lao Jiu: The Musical, Four Horse Road, Untitled Women, PROJECT Utopia and the Singapore stagings of Tribes by Nina Raine and Urinetown: The Musical. As a singer-songwriter, she released her debut EP in 2017 and continues to write music that centres on themes of identity and meaning in the folk genre. She is also a passionate arts educator and momma of one very active little boy! Learn more at www.ethelyap.com and follow Ethel on Facebook, and Instagram. 
Host Luisa Lyons chats with Maribel Legarda and Liza Magtoto, the director and writer of the hit Filipino jukebox musical Rak of Aegis.
Topics include the formation of the Philippine Educational Theater Association (PETA), and how PETA operates and fulfills its founders’ mission to create a Filipino theater. We discuss the development of Rak of Aegis, why Maribel double cast the show, the significance of the incredible set, and why an audience member saw the show 21 times! We also take a look at how the show came to be streamed, and how the pandemic has changed thinking about streaming going forward. Maribel Legarda is a multi-disciplinary director and the Artistic Director of PETA. As a Senior Artist-Teacher of the company, she has directed and choreographed major productions including “Care Divas,” “William,” and “Pamana”. Maribel has also conducted workshops for Dance, Women and Children’s Theater, both locally and internationally. Liza Magtoto is a playwright and freelance scriptwriter, a member of The Writer’s Bloc and an artist-teacher of the Philippine Educational Theater Association (PETA). Recent works include “Rak of Aegis,” “Rated PG,” “A Game of Trolls” and “Care Divas.” A recipient of Gawad Buhay! and the Gawad Pambansang Alagad ni Francisco Balagtas, Liza also won the Don Carlos Palanca Memorial Awards for Literature, and three of her award-winning plays are published in Bienvenida de Soltera, an anthology of her earlier works. Learn more about PETA at www.petatheater.com and follow on Instagram, Facebook, and Twitter.
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On episode 22 of the Filmed Live Musicals podcast, host Luisa Lyons chats with Susan Jamson, Press and PR Manager for the north London based inclusive theatre company Chickenshed.
Chickenshed is an inclusive theatre company that first began in 1974. Primarily based at their purpose-built venue in North London, they create theatre for all ages and run successful outreach projects, education courses and membership programmes throughout the year. As a result of lockdown, Chickenshed have made many of their past shows available for free online. In this moving chat, Susan shares some of the stories from her 30 years with Chickenshed, her experience of raising a child with down syndrome, how finding an inclusive theatre company changed her family's life, the origins of Chickenshed and how the company has grown over the years, how they adapted to lockdown, and the importance of filming theatre. Learn more about Chickenshed at www.chickenshed.org.uk and visit their YouTube channel to see some of their incredible work!
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This week host Luisa Lyons chats with Filipino-American artist Lourds Lane - book writer, composer, lyricist, arranger, and violin-playing co-star of the new rock musical SuperYou. The musical was scheduled to open off-Broadway in May 2020, but was postponed due to the pandemic. Instead, a concert version was performed on the back of pick-up trucks at a drive-in in upstate New York. The concert was filmed and is available to stream on Broadway on Demand!
We talk about how music inspires, how writing music for a touring rock band helped Lourds write a musical, the Medusa Festival, the intensely personal inspiration behind SuperYou, why the team defied industry malaise at the start of the pandemic and staged the drive-in concert, how the concert was filmed, and putting your work online. Learn more about Lourds Lane at www.lourdslane.com and SuperYou at www.superyoumusical.com. SuperYou is available to stream on demand until April 15, 2021 at Broadway on Demand.
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Thank you to the Filmed Live Musicals patrons Josh Brandon, Mercedes Esteban, Rachel Esteban, James Lane, David Negrin, Jesse Rabinowitz and Brenda Goodman, Al Monaco, David and Katherine Rabinowitz, and Bec Twist for your support.
Filmed Live Musicals is the most comprehensive online searchable database for musicals that have been filmed live on stage. Follow us on Facebook and Twitter. You can also support the site at Patreon. Patrons get early access to content, no matter how much you pledge. 
On episode 17 of the Filmed Live Musicals podcast, host Luisa Lyons chats with the Creative Director of HMDT Music, Tertia Sefton-Green.
We chat about HMDT Music's extraordinary children's theatre education program pre-pandemic, the fortuitous decision to downscale in 2019, and the new female-led musical Jina and the STEM Sisters. The musical is available to stream on demand worldwide until April 11. Book your tickets here! HMDT Music, twice winner of the prestigious Royal Philharmonic Society Award for Education and of the 2020 Excellence in Musical Theatre Award, is a leader in commissioning inspiring musical works embedding the arts across all areas of learning for young people. Key successes include: Trench Brothers commemorating ethnic minority soldiers in WW1; Shadowball ground-breaking baseball and jazz opera; Hear Our Voice international tour of a new work compiled from children’s Holocaust writings. HMDT runs an extensive Saturday Music Programme and arts-rehabilitation projects for young offenders. Their Creative Director Tertia Sefton-Green has created, commissioned, managed all their large-scale projects in addition to fundraising and writing some of the libretti. She also conducts their I Can Sing! music theatre programme. Learn more at www.hmdt.org.uk.
Thank you to the Filmed Live Musicals patrons Josh Brandon, Mercedes Esteban, Rachel Esteban, James Lane, David Negrin, Jesse Rabinowitz and Brenda Goodman, Al Monaco, David and Katherine Rabinowitz, and Bec Twist for your support.
Filmed Live Musicals is the most comprehensive online searchable database for musicals that have been filmed live on stage. Follow us on Facebook and Twitter. You can also support the site at Patreon. Patrons get early access to content, no matter how much you pledge. 
This week on the Filmed Live Musicals podcast, host Luisa Lyons chats with New York-based Australian director Benita de Wit.
We chat about creating pertinent work with college students during a pandemic, the LIU Post Sondheim cabaret One More Thing Not to Think About, what makes a good theatre capture, what makes theatre “live” and human, why a student production of Kiss Me, Kate stuck in Benita’s memory, the upcoming stream Alter/Ego and how Bowie is relevant to Gen Z, and what it means to theatricalize pop music. Benita de Wit is a New York-based Australian director of theatre and performance. They are the Associate Director for the international tour of “Bat Out of Hell” and have an MFA in Directing from Columbia University. Recent credits include “One More Thing Not To Think About” (Post Theatre Company), “The Laramie Project” (Pace University), “Slaughterhouse” by Anchuli Felicia King (Belvoir, 25A), “The Silence” (MIT, Associate Director), "The Moors" (Off Broadway, Assistant Director), "The Rape of The Sabine Women by Grace B Matthias". Benita is an Adjunct Professor at Pace University and an Associate Member of SDC. Learn more at www.benitadewit.com. Show Links One More Thing Not to Think About https://vimeo.com/jstudiosny/review/486420579/14dffcb021 Password: N3wSw!*LIU2020 The Laramie Project https://performingarts.pace.edu/current-season Alter/Ego https://www.facebook.com/liuposttheatrecompany/
Filmed Live Musicals is the most comprehensive online searchable database for musicals that have been filmed live on stage. Visit www.filmedlivemusicals.com to learn more. Follow us on Facebook and Twitter. You can also support the site at Patreon. Patrons get early access to content, no matter how much you pledge.
This week on the podcast host Luisa Lyons chats with Eliza Jackson, an Australian producer based in the UK whom The Stage recently listed as one of the Top 100 Theatre Makers of 2020.
Topics including making the switch from acting to producing, the joys and challenges of producing virtual theatre content during the pandemic, paying artists during lockdown, the future of streaming, what it means to make theatre during this time, and Lambert Jackson Productions streams of The Last Five Years, Songs for A New World, [title of show], and the upcoming I Love You, You're Perfect, Now Change. Australian born Eliza Jackson trained in Musical Theatre at the prestigious NIDA (National Institute of Dramatic Art) in Sydney. She moved to London in 2012 and since then, has worked in the theatre industry both on and off stage. In 2018, Lambert Jackson Productions was born and their first project was to take Eliza’s one-woman show to the Edinburgh Fringe Festival. The show, The Voice Behind the Stars received 5-star reviews across the board and was then toured around Australia with much success. On her return, she took on the role of Creative Director of Lambert Jackson full time. I Love You, You're Perfect, Now Change will stream at select times between January 28-30, 2021. More info and tickets available from the London Coliseum. Available wherever you listen to podcasts! If you like what you hear, subscribe and leave a review! |
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