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FILMED LIVE MUSICALS
  • Home
  • Musicals
  • Blog
  • Podcast
  • Calendar
  • Where to Stream
    • All Content
    • Musical Theatre
    • Plays
    • Opera
    • Independent Theatre
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The Music and the Media

2/17/2021

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While some of us are spending the pandemic baking bread, binging Netflix, and staring into the void afraid and half-hopeful that this will now be life as we know it, folks across the world are jumping online to make art, and specifically, musicals. The rapid turnaround of these musicals and, more importantly, their immense popularity, is leading folks in the theatre community to wonder if virtual development is the future of musical theatre making.

The most prominent musical flavoring much of the discussion is Ratatouille The Musical, the world’s first musical “created entirely over TikTok.” Based on the 2007 Disney animation about a Parisian rat who loves to cook, the musical had a very short gestation period. It began life in October 2020, when a TikTok user Emily Jacobsen posted a love ballad for Remy the Rat that went viral. In December 2020 Seaview Productions (who got a shoutout in the December newsletter for their promising new partnership with Sony Productions) negotiated with Disney to put on a virtual production of Ratatouille the Musical as a benefit for the Actors Fund.

Ratatouille the Musical aired on January 1st, 2021, and was only available to stream for 3 days, followed by a one-off encore screening a week later. The cast featured the talents of Wayne Brady, Tituss Burgess, Kevin Chamberlin, André de Shields, Andrew Barth Feldman, Adam Lambert, Priscilla Lopez, Ashley Park, and Mary Testa, under the direction of Six writer and director Lucy Moss. The music was recorded by the recently formed The Broadway Sinfonietta, an all-female identifying, majority women of color orchestral collective. The event was viewed by over 200,000 people, and raised $2million, the most successful fundraiser in Actors Fund history.

While yet to be performed on a physical stage, Ratatouille the Musical already has a huge global following, was put together in a month, and for a budget of $200,000. When you think of the years, and millions of dollars, it normally takes to mount a Broadway show, it’s no wonder theatre folks are excited.

Director Lucy Moss has stated “I hope it opens the doors and/or eyes of producers and the gatekeepers to democratize theater even further, and to show them that something of real merit can be created not in the “traditional” way.” Writing for Forbes, Lee Seymour believes virtual productions could help bolster Broadway’s return — “crowdsourced projects could provide a solution, or at least an augmentation, especially to cultivate younger fans.”

A new in-the-works musical starting to generate some heat is Bridgerton the Musical, based on the recently released original Netflix series, Bridgerton. Composed by Abigail Barlow and Emily Bear, early songs have gone viral, with “Burn For You” reaching over 4.5 million views. The hashtag #BridgertonTheMusical has attracted over 2.5million views. Receiving some attention from Netflix itself, Barlow has claimed “…the gatekeepers that be are kind of no longer in power. The people have the power, and that’s an exciting thing.”

Another new created-virtually musical, or series of musicals, garnering attention is Averno. Created by 21-year-old Morgan Smith, Averno is “is a transmedia universe — think the Marvel universe, but with musicals (and comics and novels and more) about witches.” Through collaboration with a diverse group of young artists, Averno has created “13 musicals, 4 novels, a TV Show, a podcast, a concept album, a webcomic musical, virtual reality, and more.” The universe exists across various websites and social media platforms including TikTok, Instagram, Spotify, and YouTube. Broadway Records, one of theatre’s leading record labels, recently released three Averno musicals as concept albums — “Over and Out,” “Willow,” and “Bittersummer.”
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What do you think? Will Ratatouille be served up on Broadway? Could Bridgerton The Musical sit alongside Bridgerton on Netflix? Will the Averno universe come to rival that of Marvel?

Sources
Articles
  • Arifa Akbar, “Bridgerton: The Musical? Fans of Netflix hit take tunes to TikTok,” The Guardian (Jan 22, 2021)​
  • BBC News, “Bridgerton re-imagined on TikTok by US singer Abigail Barlow,” BBC (Jan 18, 2021)
  • Alyssa Bereznak, “Anyone Can Cook: The Oral History of ‘Ratatouille: The Musical’” The Ringer (Dec 31, 2020)
  • Greta Bjornson, “How ‘Bridgerton’ The Musical Became TikTok’s Latest Collective Endeavor,” Decider (Jan 27, 2021)
  • BWW News Desk, “RATATOUILLE: THE TIKTOK MUSICAL Raises $2 Million For the Actors Fund,” Broadway World (Jan 12, 2021)
  • Gordon Cox, “‘Ratatouille’ Musical Raised $1.9 Million: Here’s Where The Money Will Go” Variety (Jan 11, 2021)
  • Ken Davenport, “Will “Ratatouille The Musical” make it to Broadway?” The Producer’s Perspective (Nov 24, 2020)
  • De Elizabeth, ““Ratatouille” Musical Goes From TikTok to Virtual Broadway” Teen Vogue (Jan 3, 2021)
  • Felicia Fitzpatrick, “EXCLUSIVE: Bridgerton is TikTok's Latest Musical — The Writers Share a Track and Discuss Future Plans,” Playbill (Jan 22, 2021)
  • Jesse Green, “‘Ratatouille’ Review: What’s Small and Hairy With Big Dreams?” New York Times (Jan 3, 2021)
  • Christina Morales, “On TikTok, Fans Are Making Their Own ‘Ratatouille’ Musical,” New York Times (Nov 30, 2020)
  • Dan Meyer, “Ratatouille: The TikTok Musical Benefit, Starring Andrew Barth Feldman, Tituss Burgess, More, Streams January 1” Playbill (Jan 1, 2021)
  • Brandon Powers, “The Future of Musical Theatre is on TikTok,” Medium (Jan 19, 2021)
  • Adam Rothenberg, “Call Answered: Morgan Smith Interview: Averno Universe, Willow on Broadway Records,” Call Me Adam (Nov 18, 2020)
  • Lee Seymour, “What Broadway Can Learn From The Record-Breaking TikTok Musical ‘Ratatouille’” Forbes (Jan 21, 2021)
  • Ellise Shafer, “‘Bridgerton: The Musical’ blew up on TikTok. Could Broadway be next?”, Chicago Tribune (Jan 29, 2021)
  • Elisabeth Vincentelli, “A ‘Marvel Universe’ for Musicals? Meet the Makers of Averno” New York Times (Jan 15, 2021)
Websites
  • Ratatouille the Tik Tok Musical, Accessed via: https://ratatousical.com/
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Ep 14: Eliza Jackson

1/26/2021

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This week on the podcast host Luisa Lyons chats with Eliza Jackson, an Australian producer based in the UK whom The Stage recently listed as one of the Top 100 Theatre Makers of 2020. 
Topics including making the switch from acting to producing, the joys and challenges of producing virtual theatre content during the pandemic, paying artists during lockdown, the future of streaming, what it means to make theatre during this time, and Lambert Jackson Productions streams of The Last Five Years, Songs for A New World, [title of show], and the upcoming I Love You, You're Perfect, Now Change. 

Australian born Eliza Jackson trained in Musical Theatre at the prestigious NIDA (National Institute of Dramatic Art) in Sydney. She moved to London in 2012 and since then, has worked in the theatre industry both on and off stage. 

In 2018, Lambert Jackson Productions was born and their first project was to take Eliza’s one-woman show to the Edinburgh Fringe Festival. The show, The Voice Behind the Stars received 5-star reviews across the board and was then toured around Australia with much success. On her return, she took on the role of Creative Director of Lambert Jackson full time.

I Love You, You're Perfect, Now Change will stream at select times between January 28-30, 2021. More info and tickets available from the London Coliseum. 

Available wherever you listen to podcasts! 

If you like what you hear, subscribe and leave a review! 

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Measure in Love

12/28/2020

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So, 2020, huh?! It has been a tumultuous, painful, bizarre year with so much loss, grief, and uncertainty. But on the other side of darkness, there is light. And if one good thing has come out of the pandemic, it’s that filmed live theatre content is more available than ever. From Andrew Lloyd Webber’s The Shows Must Go Online, The National Theatre and Met Opera’s weekly streams, Disney+ releasing Hamilton, to smaller independent theatres like Southwark Playhouse, Wise Children, or Westcoast Black Theatre Troupe releasing previously filmed content, and creating new musicals to stream.
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This year I launched the Filmed Live Musicals podcast. I chatted with director and writer Al Monaco, Tony nominee Brenda Braxton, the founder of Scenesaver Caroline Friedman, the executive director of Sarasota’s Westcoast Black Theatre Troupe Julie Leach, dancer and engineer Lena Wolfe, actor and puppeteer David Colston Corris, actor and producer Kimberly Faye Greenberg, academic Kelly Kessler, dancer and associate choreographer Barry Busby, collector Robert Sokol, and the award-winning composer Paul Gordon! The Filmed Live Musicals podcast is available for download wherever you listen to podcasts, and transcripts are available for each episode.

The Filmed Live Musicals database currently has information on nearly 200 musicals. The list I’m currently working on has almost twice that! And that’s not even including musicals that have been filmed without an audience, or the new genre of “zoomsicals”, musicals performed over Zoom.

In 2021, I’m looking forward to continuing to grow the site, learning about new filmed live musicals, and spotlighting artists from all around the world who make them happen.
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My Favorite Things (2020)

To close out 2020, here's a list (in no particular order) of my favorite filmed live musicals released this year! 
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Wise Children 
Based on Angela Carter’s novel of the same name Wise Children tells the epic story of show biz twins Dora and Nora Chance. Produced by Emma Rice’s new company Wise Children and filmed live at the York Theatre Royal in March, 2019. It was briefly available online via the Bristol Old Vic and BBC iPlayer.

​Why I loved it: Whimsical, joyful, and heart-breaking story-telling, cross-gender and cross-racial casting.
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Your Arms Too Short to Box with God 
Based on the Book of Matthew, Vinnette Carroll’s soaring celebration in song and dance of the story of Jesus. Produced by Westcoast Black Theatre Troupe, and filmed live in 2020. Not currently available to view — although WBTT Executive Director Julie Leach mentioned on the podcast that it might be available again at Easter!

Why I loved it: Glorious music with outstanding performances. Even though the film was not super high quality, it beautifully captured the energy and joyousness of the performance.
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Passion Project in Concert
A song cycle about twelve unsung women from history who sing to their great loves: the object of their careers. An aviator sings to her airplane, an acrobat to her tightrope, an astronomer to her comet. Filmed live in 2019 at The Green Room 42. Available on Facebook.

​Why I loved it: A show about women and history, I’m sold! Written and produced by an all-female-identifying team. Great music with solid performances.
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Wasted
A “rocumentary,” or documentary rock musical, about the Brontë family. Filmed live at Southwark Playhouse in 2018. Not currently available to view.

Why I loved it: I’m a sucker for historical musicals re-told with rock music. The film did a great job of capturing the raw and gutsy energy of the show.
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Fabulous Fanny Brice
A one-woman musical about the life of Fanny Brice. Written and performed by Kimberly Faye Greenberg. Available to stream on select dates via Stellar.

​Why I loved it: KimberIy Faye Greenberg is a hoot (I even got to interview her on the podcast)! I learnt new things about Fanny Brice, and her songbook has some of the best songs of the 20th century!
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Only the Brave
Based on true stories, Only the Brave follows Captain John Howard and Lieutenant Denholm Brotheridge, and their wives Joy and Maggie, as the soldiers prepare for the D-Day landings. Filmed live at the Wales Millennium Centre in 2016. Available on Vimeo.

Why I loved it: A moving portrayal of harrowing events from World War II.
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Pinocchio
Chichester Festival Theatre have streamed several excellent shows this year, and it seems unfair to pick just one! Pinocchio is a new adaptation of the classic children’s book by Anna Ledwich, with music by Tom Brady. Produced by Chichester Festival Youth Theatre and performed and streamed live in December 2020. Not currently available to view.

​Why I loved it: Gorgeous staging, inventive, playful, and performed by an outrageously talented cast of young performers. The show itself was delightful, but made even more impressive by the fact that it was rehearsed and performed with a cast of over 50 kids during the pandemic with social distancing!
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Count Orlov
The Moscow Operetta Theatre’s epic musical set in 18th century Russia, telling the story of Count Orlov and his love affair with Elizabeth, who claims to be rightful heir to the Russian throne.

​Why I loved it: The COSTUMES. The EMOTIONS. The POWER BALLADS. Truly, it was so pretty to look at.
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Hamilton
The Broadway smash hit about Founding Father Alexander Hamilton. Told through a blend of hip-hop, musical theatre, and featuring a racially diverse cast. Filmed live at the Richard Rodgers Theatre in 2016.

​Why I loved it: One of the biggest Broadway musicals of the 21st century captured live with most of the original cast and streamed on a platform available at an affordable price across the planet?! What's not to love?! 
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Beardo
An early musical by Dave Malloy (Great Comet, Octet) about the life of Rasputin. Filmed live for archival purposes in 2011 at Ashby Stage.

​Why I loved it: Much like Rasputin himself, the musical was dark, creepy, and disturbing. Even though it was filmed with one camera at the back of a black box theatre, it was so great to be able to see this little gem.
Filmed Live Without an Audience 
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Papi Piernas Largas
Spanish language production of Daddy Long Legs filmed live in Mexico City. Not currently available to view.

​Why I loved it: Daddy Long Legs is one of my favorite musicals, and the chance to see it in Spanish was wonderful.
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Fiver
A new musical about the life of a £5 note as it is passed through the hands and pockets of people in London. Presented in concert by Southwark Playhouse. Not currently available to view.

Why I loved it: The energy of the cast was palpable. Great score, with some killer vocals.
Zoomsicals (musicals performed online/virtually)
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Who’s Your Baghdaddy?
Australian virtual production of the off-Broadway satirical musical about a support group for the people who started the Iraq War. Available to stream via Curveball Creative and BroadwayHD.

Why I loved it: Hands down one of the best zoom-musicals made in 2020. A technical and artistic feat with an incredible cast.
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Into the Woods by Deaf Broadway
A split-screen stream of the original Broadway production of Into the Woods, with actors performing in American Sign Language (ASL). Not currently available to view.

Why I loved it: Actors who can sign are incredibly watchable. The production was inventive, beautifully performed, and best of all, made a piece of iconic theatre more accessible to people in the Deaf community.
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Where Did We Sit on the Bus?
Not exactly a “musical,” but it had to go on the list. Produced by Actor’s Theatre of Louisville, this one person piece by Brian Quijada comprises spoken word, rap, and hip-hop to explore the experience of growing up in an immigrant family and finding identity in making art. Available to stream until May 31, 2021 via Actor’s Theatre of Louisville.

Why I loved it: Satya Chávez is phenomenal. The piece is a brilliant intersection of music, art, history, and commentary on American politics.
Bonus Play​​
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Emil!a
A play about Emilia Bassano, the woman who may have been Shakespeare’s muse. Filmed for archival purposes in the West End at the Vaudeville Theatre. Not currently available to view.

​Why I loved it: A historic woman of color reclaiming her voice through the centuries? Yes please! The play is visceral and moving, with gorgeous use of music on stage. Coupled with powerhouse performances, and you have a brilliant night of theatre. 
What did you see this year that you loved?
Let me know in the comments, or on Twitter and Facebook!

​Don’t want to miss upcoming streams?
​Sign-up for the weekly Filmed Live Musicals newsletter!

Thank you to patrons Josh Brandon, Rachel Esteban, Mercedes Esteban-Lyons, Al Monaco, Jesse Rabinowitz & Brenda Goodman, David & Katherine Rabinowitz, and Bec Twist, for financially supporting Filmed Live Musicals.

No matter what level you pledge, patrons receive early access to content, including the Filmed Live Musicals podcast! Become a patron today to support the site!

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Ep 7: Westcoast Black Theatre Troupe

10/12/2020

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Episode 7 of the Filmed Live Musicals podcast is out! 

This week I chat with the Executive Director of the Westcoast Black Theatre Troupe (WBTT), Julie Leach. Based in Sarasota, Florida, WBTT is a non-profit theatre founded in 1999 by Nate Jacobs. The company’s mission is “to produce professional theatre that promotes and celebrates the African American experience, that attracts diverse audiences, supports and develops African American artists, and builds the self-esteem of African American youth.”

We look at how WBTT were able to pivot during the COVID-19 shutdown, connection with community, the business end of putting theatre online, and Vinnette Carroll's Your Arms Too Short to Box With God.

Learn more WBTT's filmed live productions Your Arms Too Short to Box With God and Rockin' Down Fairytale Lane in the Filmed Live Musicals database, and check out WBTT's current productions at www.westcoastblacktheatre.org. 

Available now on all leading podcast platforms! 
Want to hear more from industry professionals about filmed live musicals? Make sure to subscribe to the Filmed Live Musicals podcast, and if you like what you hear, rate and review us! 

Filmed Live Musicals is a labor of love. All the thanks to patrons Josh Brandon, Mercedes Esteban, Jesse Rabinowitz and Brenda Goodman, Al Monaco, David and Katherine Rabinowitz, and Bec Twist for your support! 

If you're able to support the site financially, consider becoming a Patron! Pledges start at $2 a month, and no matter what level you can pledge, you'll get early access to content, including the podcast. Sign up today! 
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Tickets, Please

10/5/2020

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It is no secret that as a result of the pandemic, theatre companies have lost their most significant stream of revenue: ticket sales. As I wrote a couple of weeks ago, while some theatres are streaming shows, others are responding to the COVID-19 shutdown by branching out into new areas, creating new streaming platforms, and selling virtual tickets to online content. 

In May, TodayTix temporarily rebranded as TomorrowTix and launched a platform allowing theatre companies across the United States to sell tickets to online shows. As with the previous incarnation of the site, content is available by city, though it seems most virtual content is available across all cities. 

At the time of writing, offerings include comedy and improv, concerts, drag shows, and two musical-esque productions, The Keep Going Song and A Killer Party. 

The Keep Going Song is presented by the Actors Theatre of Louisville (who back in 1973 produced In Fashion). Described as “an intimate evening of storytelling through song,” the piece was written and performed by indie-folk duo Abigail and Shaun Bengson during lockdown. Ben Brantley gave The Keep Going Song the New York Times Critic’s Pick stamp of approval, and the music is truly extraordinary. You have until October 8 to stream it. Virtual tickets are available via TodayTix and directly from Actors Theatre of Louisville, on a sliding scale between $15 - $100 (not including fees). 

A Killer Party is an episodic murder mystery musical directed by Broadway musical director Marc Bruni. The cast includes a slew of Broadway stars including Carolee Carmello, Jackie Burns, Jeremy Jordan, Laura Osnes, and Alex Newell. The music was composed by Jason Howland (who, among many other credits, did the arrangements on Jekyll and Hyde), with lyrics by Nathan Tysen, and book by Kait Karrigan. Rachel Axler, who worked on Veep, The Daily Show, and Parks and Recreation, is also credited as a writer. Composed and performed entirely during quarantine, A Killer Party is a laugh out loud, silly, and joyful spoof. It’s available via TodayTix and directly from A Killer Party Musical for $12.99, which provides access to all 9 episodes.
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In late July, Playbill launched Social Selects, theatre-themed interactive online events that include tours of Broadway theatres and theatre sites in NYC, storytelling events, cooking, and wine-pairing. Events range in price from $9.99 - $21.99. Tickets for the HamilTour, which will visit Hamilton-related locations around NYC on October 7 and 14, are currently on sale. 
And just a couple of weeks ago, Goldstar launched Stellar, a new monetized streaming platform. The site currently has nearly 50 productions, including concerts, comedy, and from-artist-living-room events.

Coming up we'll be taking a look at another innovation, drive-in theatre! 

What are you watching? Let me know in the comments, or on Twitter or Facebook! 
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The Model of a Modern Major Musical

8/24/2020

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In case you somehow missed it, one of the most vaunted musicals in history, Hamilton was released on Disney+ on July 3rd. While Hamilton is not the first Broadway musical to be streamed online, its prominence and undeniable success may finally be shifting some very deep seated views that filmed live theatre can’t adequately capture the live experience, and that filmed live theatre should exist at all. In an unprecedented move, it was announced earlier in the month the yet-to-officially-open Broadway musical Diana, would be filmed (without an audience) and broadcast on Netflix. 

Many people know by now that Disney acquired the distribution rights for the filmed live production of Hamilton for approximately $75million (the final figure was adjusted due to the pandemic and the decision to release it online rather in cinemas). Much like Hamilton and Burr, you gotta be in the room where it happens to get the figures on how much Hamilton is bringing Disney financially, but it seems to bode well. As reported in Variety, early data suggests the musical had a significantly larger audience than any other single program across Netflix, Prime Video, Hulu, Apple TV+, and Disney+ in July. 
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Much like Hamilton and Burr, you gotta be in the room where it happens to get the actual figures on how much Hamilton is bringing Disney financially. At the end of June, just prior to the release of Hamilton, Disney+ reported it had 54.5 million subscribers (for comparison, Netflix currently has about 190 million subscribers worldwide). According to Variety, in comparison to the four weeks prior, the weekend of Hamilton’s digital release saw a 74% increase in Disney+ app downloads within the United States, and 46% worldwide. At the beginning the August, Disney+ reported it had 60.5 million subscribers. These numbers do not include subscribers who purchased subscriptions through packages or where Disney+ is included in existing apps.

Going forward, there are still many questions for producers for consider: when to release filmed live productions, who gets access (due to copyright or union agreements, films may not be able to be released worldwide), if viewers should pay to access streams and for how much, how to fairly compensate cast/crew/creatives, and what platforms to use.

With all that in mind, here’s a look at existing models for distributing filmed live musicals online: 

Free 
Online video platforms like YouTube and Vimeo have made it easier than ever to just upload existing footage. During the pandemic big names like Andrew Lloyd Webber and the National Theatre have released content for free online. Companies such as Southwark Playhouse, Chichester Festival Theatre, Wise Children, and Wales Millennium Centre, and independent artists like Dave Malloy and Angela Sclafani, have also made filmed live musicals freely available. 

The quality of free recordings varies greatly. From productions staged in black box theatres filmed with a camera on a tripod located behind the audience like Beardo, to slick captures like the arena production of Jesus Christ Superstar. Sometimes recordings were made for archival purposes, like Only the Brave and Wasted. Archival recordings vary in quality, but thanks to digital cameras, recent captures make for decent viewing. 

The length of time free streams are available can vary. Some are placed online indefinitely, such as The Room and Passion Project. Others, like titles from the National Theatre at Home, The Shows Must Go On, or Wise Children, have a limited window ranging from 48 hours to several weeks. 

Unless the producers/creatives uploading material for free are covering the cost of paying artists for use of their work on screen, cast, crew, and creatives are less likely receive any income from free streams. The exception to this is new platform SceneSaver, which encourages viewers to donate the cost of an average ticket, and shares 95% of donations directly with artists (for more info, take a listen to episode 2 of the Filmed Live Musicals podcast for an interview with SceneSaver founder Caroline Friedman).

Especially during the pandemic, viewers are often encouraged to make a donation to the theatre company, or to a selected charity or organization.


Paid
There are several kinds of paid options: one-off payments, subscriptions, and passes. 

One-off payment 
Viewers make a one-time payment or purchase a “ticket” to gain access to the stream. The stream is often played at a scheduled time, and then is available on demand for a limited time. These films usually have a set period of availability, and are sometimes are also limited to a specific number of streams. Occasionally, as in the case of 21 Chump Street: The Musical, the payment provides indefinite access. Companies using this model include Westcoast Black Theatre Troupe, Broadway on Demand, and Streaming Musicals. 
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Like free streams, the quality of content can vary. Particularly during the pandemic, when companies and artists are desperate for cashflow, archival footage not intended for mass consumption has been distributed. 

The pricing for one-off payments ranges, though is usually between $10 - $30 USD. Although it is not common, instead of a set price, viewers are sometimes given the option to make a donation, or pay-as-you-like. 

Subscriptions
Following the Netflix model, subscriptions provide access to a catalog of shows. In the subscription model, like Netflix, titles are usually available for longer periods of time, and can appear and disappear. Most subscriptions run for a year, though some also provide month-to-month payments at a slightly higher rate. BroadwayHD, Stage, PBS, and Disney+ all currently use the subscription model.

Passes
Passes work in a similar way to a subscription, but often for a limited time. Prima, a theater in Lancaster, Pennsylvania, have created passes as varying price points for viewers to gain access to online content. As have SheNYC Arts, a female led organization running online festivals based in New York, Los Angeles, and Atlanta over the summer. 

Combinations
Some companies use a combination of models. Broadway on Demand offers some content for free, some content for a one-off fee, and also plans to offer a subscription in the future. Streaming Musicals hosts free premiere nights, and titles are available to rent or buy through one-off payments. Digital Theatre offers an all-access yearly subscription, or the option to rent individual titles. While BroadwayHD offers monthly and yearly subscription models, throughout the pandemic they have been hosting free watch parties in partnership with Playbill, Roundabout, and the Rodgers and Hammerstein Organization.

As live theatre online becomes more and more mainstream, and as we learn more about the number of views and profits from ticket sales, it will be interesting to see which models are adopted.
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Ep 3: Prima Theatre

8/17/2020

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In episode 3 of the podcast, Luisa chats with the founder and artistic director of Prima, Mitch Nugent. Based in Lancaster, PA, Prima is a non-profit organization focused on invigorating lives through fresh theatrical experiences. 

An experienced actor, director, and producer, Mitch has led Prima from its start in 2010 as a nomadic organization, to its own home in 2018. On the west side of Lancaster City, Prima’s new venue offers an exciting location for boutique musicals, concerts and special events. 

We chat about how Prima has responded to the COVID-19 crisis, what it takes to put theatre online, developing drive-in theatre, and how bootlegs are akin to medical marijuana! 

Subscribe to the Filmed Live Musicals podcast on your favorite app, or take a listen below. 
Learn more about Prima at https://primatheatre.org/. ​
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Here I Am

8/10/2020

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With the pandemic came a plethora of filmed live theatre content being released online. Many in the industry were genuinely surprised that audiences wanted to watch theatre on screen, and even pay for it! As discussed with Caroline Friedman - CEO of the new theatre streaming service Scenesaver - in this month’s podcast, we have been recording live theatre since the invention of the moving picture. 

Despite the fact that the first live broadcast of a musical took place in 1939, and even with the release of Hamilton last month, the theatre industry as a whole is still not savvy to the history, magic, and importance of filmed live theatre. In a recent interview for The TheaterMakers Studio, CEO and Editor-in-Chief of BroadwayWorld, claimed that “very little” has happened in the world of filmed live theatre despite decades of discussions. The nearly 200 musicals in the Filmed Live Musicals database heartily disagree! And that doesn’t even include the hundreds, possibly thousands, of operas, plays, ballets, and classical concerts that have been captured and enjoyed by literally millions of people around the world! 

After the release of Hamilton, Jon Kamen, CEO of RadicalMedia, reportedly claimed that with the filming of RENT: Live on Broadway in 2008, RadicalMedia had "developed the nomenclature and a whole style of filming it in a very cinematic fashion.” Again, the producers of Pacific Overtures (filmed live in 1976), Into the Woods (filmed in 1991), and the cinematographers for the Met Live in HD, founded in 2006, all might have something to say about that.
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We still have to answer questions of when to release films, and how to fairly pay the cast, crew, and creatives, but these should not be obstacles to documenting theatre. Filming live theatre provides access to theatre for people who may not be able to see a production due to geography, cost, or disability. It is an incredible educational tool, not just for students, but for historians, industry folks, and the wider public. Digital technology has made captures easier, more dynamic, and more watchable than ever. 

All of this is why I started Filmed Live Musicals. As a place to catalog the musicals that have been legally captured for the screen and publicly distributed, to provide a space for people to find that content, and to show the historic value of filmed live musicals. Ultimately, it is a way to capture ephemeral moments in time so that we may enjoy them, learn from them, and remember the musicals, even when the bodies inside the now-disintegrated costumes have turned to dust.
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30 Free Musicals

5/23/2020

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Can’t wait for Hamilton on July 3? Catch Lin-Manuel’s one-act musical 21 Chump Street. Want a moving musical to commemorate Memorial Day? Try out the Millennium Wales Centre production of Only the Brave. Need something to occupy the kids? Try Chichester Theatre Festival’s production of The Midnight Gang. If you’re feeling literary, you can catch Wasted, a rock musical about the Brontë family, or Emma Rice’s joyous Wise Children. Science more your thing? You can watch Tangram Theatre’s The Element in the Room about Marie Curie. Or perhaps you'd like to celebrate some historic women? Take a look at the new song cycle Passion Project.

Here is a list of over 30 musicals you can currently watch online (legally!) for free! There truly is a musical for everyone!

Musicals are sorted below by Broadway & West End Composers, off-Broadway & off-West End Beyond London & New York, Musicals in Development/Concert Readings, & Family Friendly.

If you’re able, please consider making a donation to the theatre or company making their content available. As reported by producer Sonia Freedman this week, up to 70% of theatres in the UK risk permanent closure by the end of the year, and things are also looking grim in the US.
Broadway and West End Composers
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21 Chump Street
Lin-Manuel Miranda’s 14 minute one-act musical based on This American Life episode “What I Did for Love” about a high school student who falls in love with an undercover police officer, and is arrested for selling drugs. Features Lindsay Mendez and Anthony Ramos. You can also purchase the full 2 hour concert, performed at Brooklyn Academy of Music, for $5 from This American Life.
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Ghost Quartet at the McKittrick Hotel 
The original production of Dave Malloy’s song cycle about love, death, and whiskey. A camera breaks and four friends drink in four interwoven narratives spanning seven centuries. Currently freely available on YouTube.
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From Here to Eternity 
With music by Stuart Brayson, lyrics by Sir Tim Rice, and a book by Bill Oakes, the musical depicts the affairs of US soldiers stationed in Hawaii in the lead-up to the attack on Pearl Harbor. Available to stream for free during Memorial Day weekend on BroadwayHD.
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The World Goes ‘Round 
Blunt Theatre’s production the Kander and Ebb revue. Available on Vimeo.
Off-Broadway and Off-West-End
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The Dolly Mixtures 
The incredible true story based on 8 South Shields womn who set up a variety act, The Dolly Mixtures when one of their husbands' Ken Graham, was diagnosed with cancer in 1972. For 15 years they performed in working men's clubs through-out the North East to raise laughs and money for Cancer Research. They raised £100,000 for Cancer Research in the male dominated clubs in the 70's and 80's. Available on YouTube. 
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Eugenius! 
Nerdy Eugene is picked on at school, but he soon needs to find his own inner superhero when his comic “Tough Man” gets optioned by a Hollywood producer. Available on YouTube
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Molly Wobbly
The women of Little Happening are desperate - all three are trapped in loveless marriages and stuck with failing businesses.  There is only one person who can help them - a woman they’ve never met.  Her name is Molly Wobbly. Available via Paul Boyd Music. 
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Myth: The Rise and Fall of Orpheus
A modern retelling of Orpheus and the underworld, looking at mental illness and addiction in society through the rock music business. The storyline with echoes with the tragically short lives of some of music’s brightest stars, including Jim Morrison, Jimi Hendrix, Janis Joplin, Kurt Cobain and Amy Winehouse. Available on YouTube. ​
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Sistas The Musical
The story of African-American women told through Top-40 music, from Bessie Smith to Beyonce. Available on TubiTv. ​
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The State of Things 
A new British musical about a high school band, fighting to save their music course from being cut. Set against the backdrop of Austerity Britain, join this unlikely bunch of misfits as they stick two fingers up at the state of things! Available on YouTube
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Timpson the Musical
With a nod to Romeo and Juliet, Timpson: The Musical is a fictional origin story of how the British retailer came to provide both cobbling and key cutting services. Available on YouTube.
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V for Victory
A British musical exploring the lives of a group of friends in the resistance against the German occupation of Jersey during World War II. Available on YouTube.
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Waiting for the Ship to Sail 
London-based theatre Chickenshed presents an artistic response to the urgent and pressing questions of global migration, and investigates the concepts of national and personal identity. Available on YouTube.
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Wasted 
A “rocumentary,” or documentary rock musical about the Brontë family. Available at Southwark Playhouse.
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Wise Children (UK only, until June 11) 
A big, bawdy tangle of theatrical joy and heartbreak, Wise Children is a celebration of show business, family, forgiveness and hope. Expect show girls and Shakespeare, sex and scandal, music, mischief and mistaken identity. Emma Wise’s inaugural production with her new production, also called Wise Children. Only available in the UK until June 11. Available on BBC iPlayer.
 Beyond London and New York
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Friends: The One Where They Sing! (The UnAuthorized Musical Parody)
The title says it all. Available on YouTube
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Mushy: Lyrically Speaking 
Mushy, a young man with a debilitating stammer, finds himself at the centre of a television documentary. In a moment of inspiration from his teacher, Mr. Burton, he starts to find a rhythm in his voice through music. Social media erupts hailing it a miracle cure and both teacher and pupil become overnight celebrities. Available on Vimeo.
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Only the Brave
Wales Millennium Centre’s moving musical based on a true story. Only the Brave follows Captain John Howard and Lieutenant Denholm Brotheridge, and their wives Joy and Maggie, as the soldiers prepare for the D-Day landings. Available on Vimeo. ​
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Three in the Bed
A new Australian musical comedic farce about the blunders of relationships and sexuality for twenty-somethings, written by songwriter & actor Jonathon Holmes. Jessica has always had a crush on Tim, who turns up to her party suddenly single. Unfortunately, Tim meets Zoe. But Zoe thinks she has a way to make all parties happy… what could possibly go wrong? Available on YouTube. ​
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Tyneham: No Small Sacrifice
In 1942, more than 200 residents of Tyneham had to leave their homes when the area was needed as part of a tank firing range. The villagers were promised their homes would be returned, but this promise was never fulfilled. Tyneham remains military property to this very day. Available on YouTube
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Albert Einstein: Relativitively Speaking
It’s 1933 and Einstein is giving his inaugural lecture on Special and General Relativity at Princeton University. But it's tough when your two wives and mother keep coming in, your equations are being used to make atomic bombs and there’s the small (rather large) matter of the Universe to explain. Available on SceneSaver.
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The Element in the Room 
Marie Curie's story is a tale of of glowing powders with extraordinary powers, lives saved and destroyed, and unparalleled achievements in the face of unbelievable odds. Available on SceneSaver
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The Origin of Species 
Charles Darwin is hard at work on his new book about barnacles. To boost sales, his publisher has invited you young and not so young naturalists to watch him at work. Easily distracted, Charles begins sharing his family history, songs he has written and some of his new discoveries about barnacles. However today is about to prove to be no ordinary day. Available on SceneSaver.
Musicals in Development/Concert Readings
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Golden Bricks and Ruby Shoes 
Inspired by a news article about the FBI assisting in the recovery a pair of stolen ruby slippers, Golden Bricks and Ruby Shoes is an in-development song cycle about the famed Wizard of Oz pumps, and the people who were obsessed with them. Available on YouTube.
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Passion Project in Concert
A song cycle about twelve unsung women from history who sing to their great loves: the object of their careers. An aviator sings to her airplane, an acrobat to her tightrope, an astronomer to her comet. Available on Facebook. ​
 Family Friendly
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The Hunting of the Snark 
Inspired by the genius of Lewis Carroll and his much beloved classic poem, a sparkling new musical extravaganza for the whole family. Available for a limited time on YouTube. ​
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The Midnight Gang 
Based on David Walliams book of the same name. Twelve-year-old Tom lands in the children’s ward of the spooky Lord Funt Hospital and meets a gang of fellow kids whose missions of wish fulfillment begin at midnight. Available until May 29 via Chichester Festival Theatre. ​
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Beauty and the Beast
Not the Disney musical, but a new version by Chichester Festival Theatre. Available until June 19. Available at Chichester Festival Theatre. 
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Stellaluna The Musical
Stellaluna the bat, Verdi the snake, and Pinduli the hyena all seek refreshment at a watering hole one hot day, only to find themselves the subjects of a bullying lion's ridicule. But by sharing stories about building self-confidence, these three misfit animals find wisdom, peace, and friendship. Available at Broadway On Demand. ​
StarKid Musicals
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A Very Potter Musical 
StarKid’s first production and a viral sensation that launched Darren Criss’s career. The sequels, A Very Potter Sequel and A Very Potter Senior Musical are also freely available online. Available on YouTube.
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Ani: A Parody Musical
A musical parody of Star Wars. Available on YouTube. ​
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Holy Musical, B@tman
It’s Batman, singing and dancing. Available on YouTube. ​
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Me and My Dick
Adults only. A coming of age story about Joey Richter whose best friend is...his dick. Available on YouTube. ​
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Starship 
Bug wants to be a Starship Ranger, but there's one thing they are he's not... human. Available on YouTube. ​
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The Trail to Oregon
Produced in Chicago in 2014. Claims to be the most historically accurate musical portraying the Oregon Trail. Available on YouTube.
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Twisted
Hop on your flying carpet, because this musical parody retells the classic tale of Aladdin... from the villain's point of view! Available on YouTube.
Still want MORE musicals?
Use the Filmed Live Musicals database to search for musicals to watch online! 

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One, two, three, and!

5/8/2020

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There are so many musicals streaming online right now it's hard to keep up! 

Today alone, the 8th of May, there are THREE filmed live musicals being made available for a limited time for free (not to mention all the musicals already available online)!

If you are so able, please consider making a donation to the institutions providing these streams, especially the independent theatres. Times are tough for everyone right now, and the theatre industry is facing an incredibly difficult time. Theatres rely on ticket sales to bring in income, and with the shutdown, many institutions are facing serious economic difficulty. If we can, let's give back to the places that give us so much joy.  

Pieces of String 
A new British musical set simultaneously in 1940 and the present day exploring LGBT themes, and the impact of secrets on generations. Free to watch from 10am - 11.59pm (GMT) on May 8 only at Mercury Theatre Colchester. If you miss the free screening, it's also available for a small fee from Digital Theatre. 

The King and I 
Bartlett Sher's gorgeous Lincoln Center revival starring Kelli O'Hara and Ken Watanabe filmed live during its West End run at the London Palladium. Free watch party on May 8 at 8pm (EST) hosted BroadwayHD and Playbill. Only available in North America. Also available through a BroadwayHD subscription. 

By Jeeves 
Andrew Lloyd Webber and Alan Ayckbourn's musical based on the book by P.G. Wodehouse. Will be available to stream for free from 2pm on May 8 for 48 hours on YouTube. 

Royal Court Livestream
Missing being inside an actual theatre? This one is not a musical, but London's Royal Court theatre is live-streaming from within the empty auditorium on May 8th with Caretaker, a "durational installation" by Hester Chillingworth. 7.30pm GMT. Visit Royal Court for more info. 

Still want MORE musicals?! You can visit the Filmed Live Musicals database and search for musicals to watch online! There are currently 75 musicals listed as available online, with more being added each week. 

Happy viewing! 
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