On episode 24 of the Filmed Live Musicals podcast, host Luisa Lyons chats with songwriter and performer Benjamin Scheuer.
We chat about the influence of Frank Loesser, how Benjamin came to write his first show (which Prince William ushered), the interplay of different performance and artistic mediums, being diagnosed with Stage 4 Hodgkins lymphoma at age 28 and our shared journey of cancer treatment and bone marrow biopsies, how The Lion served as a personal ad, the devastating story of one of Benjamin's most memorable performances whilst on tour, and exclusive news about what's next for The Lion! Benjamin Scheuer wrote and performed THE LION (Drama Desk Award, Outstanding Solo Performance; Off-West End Award, Best New Musical). Scheuer and Carlos Acosta made Empty Stage, the “magical…best dance film of the year” (The Guardian). Scheuer’s music-videos have won Annecy Film Festival’s Best Commissioned Film, and the British Animation Awards’ Best Music Video (twice.) Author of two songs-turned-into-children’s books: Hundred Feet Tall and Hibernate With Me. Scheuer is writing a musical about Peter Roget, creator of Roget’s Thesaurus. A Kleban Award winner, “Scheuer plays guitar as if he invented the instrument (LA Times) and his songwriting “gets to the heart of the matter” (NY Times). The Lion is available to stream on demand on BroadwayHD. Learn more at www.benjaminscheuer.com and follow Benjamin on Instagram, Twitter, Facebook, and SoundCloud. Check out Benjamin's latest short films: "Empty Stage" with the Birmingham Royal Ballet and Carlos Acosta "Empty Stage" with Robbie Fairchild.
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Filmed musicals bring joy to people around the world, create connections between theatre lovers, and shows what can be possible in bringing theatre to the screen. Filmed Live Musicals creates a centralized place to search for information on nearly 200 stage musicals (and growing!) that have been legally filmed and made publicly available. The Filmed Live Musicals podcast features interviews with actors, producers, and creatives about the joys and challenges of filming live theatre.
As you love musicals as much as I do, I invite you to make an ongoing donation to extend the reach of Filmed Live Musicals. As an alternative, I’d love you to consider a one-off donation. You’ll be helping to spread the love of musical theatre around the world and contribute to a new frontier of theatre on screen. With thanks to Josh Brandon, Elliott Charlz, Rachel Esteban, Mercedes Esteban-Lyons, James T. Lane, Al Monaco, David Negrin, Jesse Rabinowitz & Brenda Goodman, David & Katherine Rabinowitz, and Bec Twist for being a part of spreading the love of musical theatre.
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On episode 22 of the Filmed Live Musicals podcast, host Luisa Lyons chats with Susan Jamson, Press and PR Manager for the north London based inclusive theatre company Chickenshed.
Chickenshed is an inclusive theatre company that first began in 1974. Primarily based at their purpose-built venue in North London, they create theatre for all ages and run successful outreach projects, education courses and membership programmes throughout the year. As a result of lockdown, Chickenshed have made many of their past shows available for free online. In this moving chat, Susan shares some of the stories from her 30 years with Chickenshed, her experience of raising a child with down syndrome, how finding an inclusive theatre company changed her family's life, the origins of Chickenshed and how the company has grown over the years, how they adapted to lockdown, and the importance of filming theatre. Learn more about Chickenshed at www.chickenshed.org.uk and visit their YouTube channel to see some of their incredible work!
The Filmed Live Musicals podcast is available wherever you listen to podcasts, including Apple Podcasts, Amazon, Google, Overcast, Stitcher, Spotify, and more!
If you like what you hear, please make sure to subscribe and leave a review! 
This week on the Filmed Live Musicals podcast, host Luisa Lyons chats with actor/dancer/singer James T. Lane.
Topics include the influence of Robert Guilluame and the importance of being able to see people that look like you on stage, Forbidden Broadway and movie musicals as a gateway to musical theatre, Jesus Christ Superstar, A Chorus Line, coining the phrase “sad understand”, working at the Jen Waldman Studio, words of wisdom from Baayork Lee, why writers and artists should share their work widely, and the development and staging of James’ new play Triple Threat: A Play That Moves and Sings. James T. Lane is an actor singer dancer based in New York City. A true triple threat, he brings joy, electricity, nuance, humor, and heart to roles on Broadway, across the United States, and throughout the world. James's powerful love for his craft and for his fellow human beings shines through in all that he does. Learn more at www.jamestlane.com and follow James on Instagram and Twitter.
The Filmed Live Musicals podcast is available wherever you listen to podcasts, including Apple Podcasts, Amazon, Google, Overcast, Stitcher, Spotify, and more!
If you like what you hear, please make sure to subscribe and leave a review! 
On episode 17 of the Filmed Live Musicals podcast, host Luisa Lyons chats with the Creative Director of HMDT Music, Tertia Sefton-Green.
We chat about HMDT Music's extraordinary children's theatre education program pre-pandemic, the fortuitous decision to downscale in 2019, and the new female-led musical Jina and the STEM Sisters. The musical is available to stream on demand worldwide until April 11. Book your tickets here! HMDT Music, twice winner of the prestigious Royal Philharmonic Society Award for Education and of the 2020 Excellence in Musical Theatre Award, is a leader in commissioning inspiring musical works embedding the arts across all areas of learning for young people. Key successes include: Trench Brothers commemorating ethnic minority soldiers in WW1; Shadowball ground-breaking baseball and jazz opera; Hear Our Voice international tour of a new work compiled from children’s Holocaust writings. HMDT runs an extensive Saturday Music Programme and arts-rehabilitation projects for young offenders. Their Creative Director Tertia Sefton-Green has created, commissioned, managed all their large-scale projects in addition to fundraising and writing some of the libretti. She also conducts their I Can Sing! music theatre programme. Learn more at www.hmdt.org.uk.
Thank you to the Filmed Live Musicals patrons Josh Brandon, Mercedes Esteban, Rachel Esteban, James Lane, David Negrin, Jesse Rabinowitz and Brenda Goodman, Al Monaco, David and Katherine Rabinowitz, and Bec Twist for your support.
Filmed Live Musicals is the most comprehensive online searchable database for musicals that have been filmed live on stage. Follow us on Facebook and Twitter. You can also support the site at Patreon. Patrons get early access to content, no matter how much you pledge. 
This week on the podcast, host Luisa Lyons chats with Marc Teitler and Tim Phillips, the composers of the smash-hit British musical The Grinning Man.
Filmed live at the Bristol Old Vic in 2016, The Grinning Man is a dark and visceral musical based on Victor Hugo's The Man Who Laughed. Topics include the development of the musical, Marc and Tim's initial resistance to releasing the archival footage, how the musical came to be filmed with motion capture, and more! The Grinning Man is currently available to stream on demand from the Bristol Old Vic. More tickets and info here. Follow Marc Teitler on Twitter, and Tim Phillips on Twitter. Available wherever you listen to podcasts! If you like what you hear, make sure to like and subscribe, and leave us a review! UPDATE: The podcast may take a couple of days to appear in Apple Podcasts, Spotify, and Overcast due to an attack on Buzzsprout's servers. Want to find out what musicals are streaming this weekend? Sign up to the free Filmed Live Musicals newsletter and receive weekly updates on upcoming streams! Want more content?! Become a Patron! You can join for as little as $3 a month, and no matter how much you pledge, you'll receive early access to the podcast and content on the site!
Thank you to patrons Rachel Esteban, Mercedes Esteban-Lyons, James Lane, Al Monaco, David Negrin, Jesse Rabinowitz & Brenda Goodman, David & Katherine Rabinowitz, and Bec Twist, for financially supporting Filmed Live Musicals.
This week on the podcast host Luisa Lyons chats with Eliza Jackson, an Australian producer based in the UK whom The Stage recently listed as one of the Top 100 Theatre Makers of 2020.
Topics including making the switch from acting to producing, the joys and challenges of producing virtual theatre content during the pandemic, paying artists during lockdown, the future of streaming, what it means to make theatre during this time, and Lambert Jackson Productions streams of The Last Five Years, Songs for A New World, [title of show], and the upcoming I Love You, You're Perfect, Now Change. Australian born Eliza Jackson trained in Musical Theatre at the prestigious NIDA (National Institute of Dramatic Art) in Sydney. She moved to London in 2012 and since then, has worked in the theatre industry both on and off stage. In 2018, Lambert Jackson Productions was born and their first project was to take Eliza’s one-woman show to the Edinburgh Fringe Festival. The show, The Voice Behind the Stars received 5-star reviews across the board and was then toured around Australia with much success. On her return, she took on the role of Creative Director of Lambert Jackson full time. I Love You, You're Perfect, Now Change will stream at select times between January 28-30, 2021. More info and tickets available from the London Coliseum. Available wherever you listen to podcasts! If you like what you hear, subscribe and leave a review! 
This week on the podcast, I interview British director and producer Adam Lenson! We had a great time chatting about Merrily We Roll Along, what should we call filmed theatre, Signal Online, Alt+Right+Shift, making new work without a theatre, filming theatre without an audience, and more!
Based in London, Adam Lenson is a director, producer, dramaturg, and musical theatre specialist. He was recently included in The Stage 100, a list recognizing theatremakers for their extraordinary achievements in 2020. He is the founder Signal and Signal Online, programs for incubating new musical theatre, Make Your Own Musicals which provides activity packs for children, and Theatrical Solutions which offers affordable solutions for theatrical livestreaming. As a director, original works include WASTED (World Premiere, Southwark Playhouse), SUPERHERO (World Premiere, Southwark Playhouse), THE SORROWS OF SATAN (World Premiere, Tristan Bates Theatre), LOCK AND KEY (World Premiere, Vault Festival), THE LEFTOVERS (World Premiere, National Tour). Other works include THE RINK (Southwark Playhouse), THE STORM (Helios Collective/ENO), 35MM (The Other Palace), WHISPER HOUSE (The Other Palace), SONGS FOR A NEW WORLD (St James Theatre, 20th Anniversary Production), DISGRACED (English Theatre Frankfurt), DARK TOURISM (Park Theatre), GHOST (GSA), SEE WHAT I WANNA SEE (Jermyn Street Theatre), REEL LIFE (Ustinov Theatre Bath and St James Studio), THE GOODBYE GIRL (Upstairs at the Gatehouse), WEST END RECAST (Duke of York’s Theatre, Phoenix Theatre), ORDINARY DAYS (Trafalgar Studios), LITTLE FISH and SATURN RETURNS (Finborough Theatre), COME FLY WITH ME (Salisbury Playhouse), THE DEAD GUY (English Theatre Frankfurt) and THE FAMILY (Old Vic US/UK Exchange, Public Theater, NY). You can learn more about Adam at www.adamlenson.com and follow him on Instagram and Twitter. Tickets to Public Domain, streaming live on Jan 15 and 16 2021, are available at Southwark Playhouse. 
On episode 2 of the Filmed Live Musicals podcast, Luisa chats with Caroline Friedman, founder of new theatre streaming of Scenesaver.
Scenesaver is the only website making performances from off Broadway, off- West End, small theatres, and emerging artists accessible to everyone online. It's free to register and watch with 150 shows of all genres from around the world available now. New work is being added all the time. Available on all podcast apps now!  My dance card is getting full! The end of 2018 is shaping up to be something wonderful for Filmed Live Musicals with several new filmed live releases on the horizon. Find out what's coming to a cinema near you!
October Emma, a new “soundstage musical” created by Paul Gordon (co-creator of Daddy Long Legs, the first off-Broadway musical to be livestreamed), was released on the newly launched Streaming Musicals on October 3. Funny Girl starring Sheridan Smith and filmed live on the West End by Digital Theatre will screen globally in select cinemas on October 24. Go to https://www.funnygirlincinemas.com/ for local listings. To celebrate the 15th anniversary of the hit Broadway musical Wicked, NBC will present "A Very Wicked Halloween” on October 29th. The concert will be performed at the Marquis Theatre, with original leading ladies Kristin Chenoweth and Idina Menzel hosting. November Filmed live in London, An American in Paris will air on PBS on November 2. It will also be available to stream through the PBS website on November 3, and is already available to stream on BroadwayHD. The West End musical Everybody’s Talking About Jamie will be screened in select cinemas across the United States on November 7, with encore screenings on November 11 and 14. To find local listings visit https://www.jamieincinemas.com/. The acclaimed Lincoln Center revival of The King and I transferred to the West End this year, opening at the Palladium. The production was filmed live and will be released in the United States on November 29 and December 4 under the title The King And I: From The Palladium. Find local listings at https://www.kingandimusicalcinema.com. Today we celebrate Stephen Sondheim’s 88th year of being alive. The 2011 Lincoln Center production of Sondheim’s Company starring Neil Patrick Harris, Patti LuPone, and Stephen Colbert, et al., was the inspiration for the Filmed Live Musicals database. During an interview taped for the cinema screening, producer Ellen M. Krass claimed it had been difficult to get funding to film Company because investors had not heard of a filmed live musical. Who were these people?! Had they not grown up watching the original Broadway production of Into the Woods on VHS or DVD? Were they oblivious to the taping of Sunday in the Park with George? Or Angela Lansbury in Sweeney Todd? As a result of watching Company, I wrote my Masters Thesis on filmed live musicals. Several years later, not a day went by when I wasn’t thinking about it. The Filmed Live Musicals was database was born. With 20 entries spanning 11 different musicals, Stephen Sondheim has more musicals in the Filmed Live Database than any other composer. For comparison’s sake, Gilbert and Sullivan have 8 entries, Dan Coggin has 6 entries for the Nunsense series, and Andrew Lloyd Webber (who is also celebrating his birthday today) has 4 entries. In the extraordinary interview Face to Face: Stephen Sondheim (available to stream on BroadwayHD), Sondheim stated “I’m very into film technique and its application to the stage.” If I ever get the chance to meet Sondheim, when I’m done losing my mind, I would love to know about his involvement, or encouragement, in the live filming of his musicals. To honor of Sondheim’s birthday, here are all the musicals he has written, or contributed to, that have legally filmed live for public distribution. Note that the dates refer to the year the production was filmed, not the year the musical was written. Candide
Company Follies
Gypsy Into the Woods Merrily We Roll Along Pacific Overtures Passion
Putting it Together Sunday in the Park with George Sweeney Todd: The Demon Barber of Fleet Street Happy birthday Sondheim. May your day be filled with color and light.
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