Host Luisa Lyons chats with actor and filmmaker Melissa Center all about her one woman musical Marrying Jake Gyllenhaal.
Go behind the scenes and discover how the musical came to life, how Melissa navigated the global theatre shutdown, filming during COVID, and how the new production differs from previous incarnations of the show. Marrying Jake Gyllenhaal will be livestreamed from Caveat in NYC on June 12, 2024 and available on demand until June 19, 2024. Melissa Center is an actress, award-winning filmmaker, and “The Crowdfunding Queen,” who has helped creatives raise over $1M for their passion projects. As an actor, she most recently appeared on CHICAGO FIRE (NBC) & FBI (CBS). Her filmmaking credits include ensemble dramedy All I Want (Prime, Vudu, TubiTV, itunes) award-winning viral short R.V (which anticipated the overturn of Roe vs Wade), & short film His Name is Niv, inspired by her own experience with sexual assault. Her solo show Marrying Jake Gyllenhaal debuted during Pandemic lockdown via livestream at The Pico, LA followed by Edinburgh Fringe Digital to rave reviews in Ms. Magazine & Psychology Today. It is currently running in NYC at Caveat. Show Links
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The Filmed Live Musicals podcast is also available on Apple Podcasts, Spotify, and on YouTube. Listen elsewhere? Find the show on your favorite podcast app here.
Like what you hear? Rate and review us on Apple or Spotify! Let's get social! Find us on Facebook, Instagram, Twitter, and YouTube. Want to support the preservation of the history of filmed stage musicals and the curation of one easy place to find them all? Become a patron or make a tax-deductible donation! Filmed Live Musicals is created by Luisa Lyons, an Australian actor, writer, and musician. Luisa holds a Masters in Music Theatre from London's Royal Central School of Speech and Drama and now lives, works, and plays in New York. Learn more at www.luisalyons.com and follow on Twitter, Instagram, and Facebook.
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Host Luisa Lyons chats with Nicole Holst, producer of The Zeigfeld Girls Revue, a new cabaret celebrating the stories of the original Follies girls including Mae Murray, Olive Thomas, Louise Brooks, Julie Newmar, and Fanny Brice.
Which Follies girl still haunts the New Amsterdam Theatre? Are any of the Follies girls still alive? What cultural trends did they start? In this delightful chat, dive into the making of the show, and hear some of the stories behind the featured women, and the performers who will be portraying them! The Ziegfeld Girls Revue will be livestreamed from NYC's The Green Room 42 on April 13, 2024. Nicole Holst is a classically trained dancer/choreographer, cabaret singer, and show producer who has been creating shows in NYC since 2006. Her specialty is creating high-quality, vintage-themed show concepts that transport the audience to magical eras in time and bring history back to life. To date, she has created 8 original evening-length shows, founded 3 dance companies, and curated several site-specific special events. Nicole has been hired as event manager by Sayen Art Festival, Dorian’s Guilded Society, and ACE Entertainment LA at the Ritz Carlton NoMad. Her work has been commissioned by Firestone Walker Beer, the American Folk Art Museum, and Billi Shakes at the Brooklyn Bowl. She looks forward to collaborating with the artists who inspire her and creating bespoke, immersive entertainment for NYC venues. See more at www.nicolenadineproductions.com and follow @nicolenadineproductions for the latest shows! SHOW LINKS
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The Filmed Live Musicals podcast is also available on Apple Podcasts, Spotify, and on YouTube. Listen elsewhere? Find the show on your favorite podcast app here.
Like what you hear? Rate and review us on Apple or Spotify! Let's get social! Find us on Facebook, Instagram, Twitter, and YouTube. Want to support the preservation of the history of filmed stage musicals and the curation of one easy place to find them all? Become a patron or make a tax-deductible donation! Filmed Live Musicals is created by Luisa Lyons, an Australian actor, writer, and musician. Luisa holds a Masters in Music Theatre from London's Royal Central School of Speech and Drama and now lives, works, and plays in New York. Learn more at www.luisalyons.com and follow on Twitter, Instagram, and Facebook.
Host Luisa Lyons chats with David Nando Rodgers, an actor/singer/writer whose new cabaret My Sunday Clothes will be livestreamed from NYC’s The Green Room 42 on March 17, 2024.
In this thoughtful and enlightening conversation, David shares his journey into the world of musical theatre which began with sitting in the second row of a matinee of the Phantom of the Opera. Dive into the practice of theatre from the perspectives of drama school, performance, being a repeat viewer, and creating a new cabaret from scratch. David Nando Rodgers is an actor, singer, and writer. Recently, he appeared in The REV Theatre’s Evita in the ensemble and covered Juan Perón. Other select credits are Marat/Sade, Jane Eyre, The Rover, and Sweet Revenge. He co-adapted a production of Dracula and he’s been co-writing a new musical, The Starving Artist. David also has a longstanding non-profit administration career. Training: BFA, University of Minnesota/Guthrie Theater Actor Training Program and Shakespeare’s Globe Theatre, London. www.davidnandrodgers.com @davidnandorodgers Show Links Listen to the PodcastWatch the Podcast
The Filmed Live Musicals podcast is also available on Apple Podcasts, Spotify, and on YouTube. Listen elsewhere? Find the show on your favorite podcast app here.
Like what you hear? Rate and review us on Apple or Spotify! Let's get social! Find us on Facebook, Instagram, Twitter, and YouTube. Want to support the preservation of the history of filmed stage musicals and the curation of one easy place to find them all? Become a patron or make a tax-deductible donation! Filmed Live Musicals is created by Luisa Lyons, an Australian actor, writer, and musician. Luisa holds a Masters in Music Theatre from London's Royal Central School of Speech and Drama and now lives, works, and plays in New York. Learn more at www.luisalyons.com and follow on Twitter, Instagram, and Facebook.
Host Luisa Lyons chats with Doug Reside, curator of the Billy Rose Theatre Division at the New York Public Library and author of Fixing the Musical: How Technology Shaped the Broadway Repertory, which looks at how the musicals that we remember, and the ones that are the most performed, are the musicals that were able to use the technologies of their time such as cast recordings, sheet music, and video, to document and share the work with those who would never see the original production on stage.
Doug shares his background in English and Computer Science, the challenges of preserving theatre history and the challenges of digital preservation, and we dive into his book Fixing the Musical and the fascinating history behind filming Broadway for public distribution, what needs to happen to make film recordings as ubiquitous as cast recordings, and how you can access the Theatre on Film and Tape Archive at the New York Public Library! Doug Reside is the Curator of the Billy Rose Theatre Division at New York Public Library for the Performing Arts and manages all aspects of the division’s collections and public services. He joined NYPL in 2011 first as the digital curator for the performing arts before assuming his current position in 2014. Prior to joining NYPL, Reside served on the directorial staff of the Maryland Institute for Technology in the Humanities at the University of Maryland. He holds a PhD in English from the University of Kentucky. SHOW LINKS (The below are affiliate links and as an associate, Filmed Live Musicals may earn a small commission from qualifying purchases made through these links at no extra cost to you.) Fixing the Musical: How Technology Shaped the Broadway Musical
The Filmed Live Musicals podcast is also available on Apple Podcasts, Spotify, and on YouTube. Listen elsewhere? Find the show on your favorite podcast app here.
Like what you hear? Rate and review us on Apple or Spotify! Let's get social! Find us on Facebook, Instagram, Twitter, and YouTube. Want to support the preservation of the history of filmed stage musicals and the curation of one easy place to find them all? Become a patron or make a tax-deductible donation! Filmed Live Musicals is created by Luisa Lyons, an Australian actor, writer, and musician. Luisa holds a Masters in Music Theatre from London's Royal Central School of Speech and Drama and now lives, works, and plays in New York. Learn more at www.luisalyons.com and follow on Twitter, Instagram, and Facebook.
Host Luisa Lyons chats with the London based Australian director Brett Sullivan - the director behind the captures of Love Never Dies, Billy Elliot, Miss Saigon, Newsies, Kinky Boots, Les Miserables for BBC’s The One Show, Stephen Sondheim’s Old Friends, Waitress, and the upcoming releases Prince of Egypt, and Aladdin.
Topics include the impact of AI in filming live theatre, filming for live broadcast, working with stage directors who are also film directors, the process behind setting up for a live capture, capturing footage for Here Lies Love, what’s in the archive, and more! Brett Sullivan is a London based Australian filmmaker. He is a founder and Creative Director at Steam Motion and Sound, located in London and New York (steammotionandsound.com). His work across the West End and Broadway for the world’s biggest producers and productions has redefined how to film live stage shows for the screen. His directorial and producing roles span commercials, trailers through to feature film captures. Productions include Les Miserables, Phantom of the Opera, Hamilton, The Lion King, Billy Elliot, War Horse, Waitress, Newsies, and many more. Alongside the theatrical work Sullivan has produced music videos, tv specials and concert films for artists such as Michael Bublé, Ed Sheeran, Madonna, Phil Collins,, Natalie Merchant, Bette Midler, Josh Groban, Robert Plant, Bruno Mars and others.
The Filmed Live Musicals podcast is also available on Apple Podcasts, Spotify, and on YouTube. Listen elsewhere? Find the show on your favorite podcast app here.
Like what you hear? Rate and review us on Apple or Spotify! Let's get social! Find us on Facebook, Instagram, Twitter, and YouTube. Want early access to site content? Becoming a patron! Your financial support will help preserve the history of filmed stage musicals and the curation of one easy place to find them all. Filmed Live Musicals is created by Luisa Lyons, an Australian actor, writer, and musician. Luisa holds a Masters in Music Theatre from London's Royal Central School of Speech and Drama and now lives, works, and plays in New York. Learn more at www.luisalyons.com and follow on Twitter, Instagram, and Facebook.
Host Luisa Lyons chats with Jennifer Ashley Tepper, theatre historian, curator, producer, and Creative and Programming Director of 54 Below in NYC. Topics include the joy that is Florida Thespians, the importance of theatre on TV, using New York City as a musical theatre campus, and going behind the scenes of 54 Below, one NYC’s hottest cabaret venues.
Jennifer Ashley Tepper is the Creative and Programming Director of 54 Below, a position she has held for over a decade. At 54 Below, Tepper has curated or produced over 5000 shows. She is the producer of the musicals Be More Chill, Broadway Bounty Hunter, and Love In Hate Nation, projects that are part of a decade-long collaboration with the group known as Joe Iconis & Family. Tepper is the co-creator of the Bistro Award- winning concert series If It Only Even Runs A Minute, celebrating under appreciated musicals, and conceiver and director of The Jonathan Larson Project. She was the historian consultant on the tick, tick... BOOM! movie. As a writer, Tepper has authored four volumes of The Untold Stories of Broadway book series. Her other Broadway credits include [title of show], The Performers, Godspell, Macbeth, and The Parisian Woman.
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Untold Stories of Broadway Series As an affiliate, Filmed Live Musicals may earn a small commission from qualifying purchases made through the following links at no extra cost to you.
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