Host Luisa Lyons chats with Maribel Legarda and Liza Magtoto, the director and writer of the hit Filipino jukebox musical Rak of Aegis.

Topics include the formation of the Philippine Educational Theater Association (PETA), and how PETA operates and fulfills its founders’ mission to create a Filipino theater. We discuss  the development of Rak of Aegis, why Maribel double cast the show, the significance of the incredible set, and why an audience member saw the show 21 times! We also take a look at how the show came to be streamed, and how the pandemic has changed thinking about streaming going forward.

Maribel Legarda is a multi-disciplinary director and the Artistic Director of PETA. As a Senior Artist-Teacher of the company, she has directed and choreographed major productions including “Care Divas,” “William,” and “Pamana”. Maribel has also conducted workshops for Dance, Women and Children’s Theater, both locally and internationally.

Liza Magtoto is a playwright and freelance scriptwriter, a member of The Writer’s Bloc and an artist-teacher of the Philippine Educational Theater Association (PETA).  Recent works include “Rak of Aegis,” “Rated PG,” “A Game of Trolls” and “Care Divas.” A recipient of Gawad Buhay! and the Gawad Pambansang Alagad ni Francisco Balagtas, Liza also won the Don Carlos Palanca Memorial Awards for Literature, and three of her award-winning plays are published in Bienvenida de Soltera, an anthology of her earlier works.

Learn more about PETA at www.petatheater.com and follow on Instagram, Facebook, and Twitter.

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On episode 25 of the Filmed Live Musicals podcast, host Luisa Lyons chats with Sarah Ellis & Greg Kamp, co-founders of MT Shorts, a new company working to merge short films and musical theatre.
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Topics include the creation of MT Shorts, working with Emmy nominated producer & director Kenneth Ferrone, the personal stories behind the short film Jump, the creation of High School Zoomsical during the early days of the pandemic, and more! Includes an exclusive preview to “All of These Goodbyes” from new short Still Here!  

Song Credits
MT Shorts Presents “A Jingle”
Music & lyrics: Nat Zegree & Eric Holmes; Arrangements & vocals: Jim Hogan; Vocals: Joey Harrell, Samantha Littleford, Sean Switzer

“All of These Goodbyes” from MT Shorts STILL HERE
Music: Ben Roseberry; Music & lyrics: Ben Roseberry and Chip Klose; Performer: Nathaniel Stampley

MT Shorts is a creative platform where musical theatre and short film meet, forging a new medium of storytelling with a mission to bring the voices of an emerging generation of creatives to screen. www.mtshorts.com. Instagram, Facebook, YouTube. 
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Sarah Ellis is an NYC-based actor, concert artist, creator and producer with a passion for community building across the visual and performing arts. Her professional credits span across theatre, film, dance, commercial, and symphony work, NYC new works readings and labs, regionally, including the First National Tour of the Tony-Award Winning “A Gentleman’s Guide to Love and Murder," and as a frequent guest artist with the Dubuque Symphony Orchestra. She holds a BFA in Musical Theatre from Penn State University where she received the Margaret “Peg” French Undergraduate Award in Theatre. 
​www.meetsarahellis.com Follow @sarahruthliss

Greg Kamp is a performer and producer whose career has spanned stage, screen, and concert venues across the country and internationally. Stage appearances have included the Tony Award Winning Center Theatre Group and Alliance Theatre, Lincoln Center's Avery Fisher Hall, Pittsburgh Civic Light Opera, York Theatre, Feinstein’s 54 Below, and The Cincinnati Pops as well as Lifetime, FOX, NBC, and Cartoon Network on the small screen. As a producer, Greg has worked with names and companies such as Rosie O’Donnell, Sara Bareilles, Paul Taylor Dance Company, as well as MT Shorts, the production company for which he Co-Founded. www.gregkamp.com 

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Pre-pandemic the rules for streaming local school or community musical productions were very clear: no filming allowed! Although it was sometimes possible for these groups to buy additional licenses to film the show for archival purposes or purchase a license to sell show DVDs to friends and family at cost.

The pandemic saw a seismic shift in permissions for streaming. It took much negotiating with playwrights, composers, and music publishing houses, but it is now easier than ever for schools and amateur theatre groups to stream their productions so that non-local relatives, friends, people restricted by geography, physical ability, or global pandemics, can tune into their productions.

Due to the complex negotiations required for streaming, it’s not surprising that licensing companies themselves are behind new specialized platforms for streaming theatre. After purchasing a license for a show, schools and community groups can use platforms such ShowTix4U and ShowShare to stream their productions. One fee takes care of royalties and streaming rights, and the ticket sales or donations are all through the one platform. The platforms also provide tech and streaming support, resulting in higher quality streams than using Zoom, YouTube, or Facebook Live.

The first platform to go live was ShowTix4U, which launched in mid-June 2020. A partnership between musical licensing company Music Theatre International (MTI), streaming platform Digital Theatre, and tech experts Broadway Media, ShowTix4U provides a platform for both ticket sales and streams. Tickets can be sold to both in-person and streamed events, and shows can be streamed live or on demand. Another benefit of using the platform, is that licensing fees and royalties for MTI shows are automatically part of the fee.

MTI titles are available with 4 different types of streaming rights: Live-Streaming (streamed in real-time), Scheduled Content (stream pre-recorded productions), Video on Demand (pre-recorded video or previous productions), or Remote Content (produced virtually). There are currently 97 titles available including Annie, Billy Elliot the Musical, Daddy Long Legs, Spring Awakening, Urinetown, and Working. There are also 35 Disney titles available, including Aladdin, Beauty and the Beast, and The Descendants, and The Little Mermaid, and Newsies, with most only available using Scheduled Content Streaming. According to Playbill, the top three streamed MTI titles throughout the pandemic were Songs for a New World, Disney’s High School Musical, and Annie.

An initiative of Broadway on Demand, ShowShare launched in September 2020. Its current licensing partners include Broadway Licensing, Playscripts, Stage Rights, Concord Theatricals, and Youth Plays. Musicals with streaming rights include After Midnight, BRKLYN the Musical, Emma: A Pop Musical, and Polkadots. According to Broadway on Demand Vice President Tralen Doler, 1466 schools streamed their musical productions via ShowShare throughout the pandemic. The most produced musicals were Emma, Disenchanted, and You’re a Good Man, Charlie Brown.

A third platform is BookTix, which as its name suggests, started as a digital ticket booking platform. Founders Tim DiVito and Jason Goldstein increasingly saw a need to also provide streaming services, and expanded. As of May 2020, BookTix is partnered with Theatrical Rights Worldwide, whose entire catalog, including Monty Python’s Spamalot, Bright Star, The Prom, and The Color Purple, includes free streaming rights. According Director of Operations Cassie Balint, the most produced musical “by far” throughout the pandemic was The Addams Family. Other popular shows included You’re a Good Man, Charlie Brown, We Will Rock You, and Spamalot.

It will be great to see these streaming rights extended to professional productions, though this will need a significant shift from Equity and SAG/AFTRA, who have long battled over how to negotiate who gets paid what for live theatre broadcasts.

I have been sharing upcoming high school and community theatre streams in the weekly Filmed Live Musicals newsletter. Sign up to find out what’s streaming near you!