Host Luisa Lyons chats with Freya Catrin Smith and Jack Williams, founders of new musical theatre company Bottle Cap Theatre, and creators of recently streamed musicals The Limit, about mathematician Sophie Germain, and RIDE, about Annie Londonderry, the first woman to ride around the world on a bicycle.

Topics include how song cycles and the Edinburgh Fringe inspired Freya and Jack to start writing musical theatre, deadlines and creativity, the development of The Limit, and RIDE, how the pair feel about filming their work, and more!

Freya Catrin Smith and Jack Williams are award-winning composers and lyricists, and founders of Bottle Cap Theatre. Their work focuses on telling female led stories and includes musicals RIDE (The Garrick, 2021) and THE LIMIT (VAULT Festival 2019). They are the joint winners of Aria Entertainment and ALP's Chamber Musical commission (2021).

Their work has been performed at venues including: The Garrick, The Other Palace, The Roundhouse and The Leicester Square Theatre, and has been developed with drama schools including the Royal Central School of Speech and Drama and ArtsEd.

In 2021 Freya received a Michael Grandage Futures Bursary and took up a writing residency at Norwich Theatre Royal.

Learn more at www.bottlecaptheatre.com, follow on Twitter, and at Freya Catrin Smith, and Jack Williams.

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Host Luisa Lyons chats with Singaporean actress, singer-songwriter and arts educator Ethel Yap.  
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Learn how Ethel worked to establish herself as an actor in her home country of Singapore after training in London, how Pangdemonium was formed, how working with The Theatre Practise (TTP) helped Ethel learn Mandarin, the state of unions — and the role of government — in Singaporean theatre, Chinese-language musicals Liao Zhai Rocks! and Lao Jiu, and Pangdemonium’s production of Urinetown.

Ethel Yap is a Singaporean actress, singer-songwriter and arts educator who has appeared in numerous theatre and television productions in a variety of lead and supporting roles. Her work includes Liao Zhai Rocks, Beauty World, Lao Jiu: The Musical, Four Horse Road, Untitled Women, PROJECT Utopia and the Singapore stagings of Tribes by Nina Raine and Urinetown: The Musical. As a singer-songwriter, she released her debut EP in 2017 and continues to write music that centres on themes of identity and meaning in the folk genre. She is also a passionate arts educator and momma of one very active little boy!

Learn more at www.ethelyap.com and follow Ethel on Facebook, and Instagram. ​

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Host Luisa Lyons chats with Maribel Legarda and Liza Magtoto, the director and writer of the hit Filipino jukebox musical Rak of Aegis.

Topics include the formation of the Philippine Educational Theater Association (PETA), and how PETA operates and fulfills its founders’ mission to create a Filipino theater. We discuss  the development of Rak of Aegis, why Maribel double cast the show, the significance of the incredible set, and why an audience member saw the show 21 times! We also take a look at how the show came to be streamed, and how the pandemic has changed thinking about streaming going forward.

Maribel Legarda is a multi-disciplinary director and the Artistic Director of PETA. As a Senior Artist-Teacher of the company, she has directed and choreographed major productions including “Care Divas,” “William,” and “Pamana”. Maribel has also conducted workshops for Dance, Women and Children’s Theater, both locally and internationally.

Liza Magtoto is a playwright and freelance scriptwriter, a member of The Writer’s Bloc and an artist-teacher of the Philippine Educational Theater Association (PETA).  Recent works include “Rak of Aegis,” “Rated PG,” “A Game of Trolls” and “Care Divas.” A recipient of Gawad Buhay! and the Gawad Pambansang Alagad ni Francisco Balagtas, Liza also won the Don Carlos Palanca Memorial Awards for Literature, and three of her award-winning plays are published in Bienvenida de Soltera, an anthology of her earlier works.

Learn more about PETA at www.petatheater.com and follow on Instagram, Facebook, and Twitter.

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On episode 22 of the Filmed Live Musicals podcast, host Luisa Lyons chats with Susan Jamson, Press and PR Manager for the north London based inclusive theatre company Chickenshed.
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Chickenshed is an inclusive theatre company that first began in 1974. Primarily based at their purpose-built venue in North London, they create theatre for all ages and run successful outreach projects, education courses and membership programmes throughout the year. As a result of lockdown, Chickenshed have made many of their past shows available for free online. 

In this moving chat, Susan shares some of the stories from her 30 years with Chickenshed, her experience of raising a child with down syndrome, how finding an inclusive theatre company changed her family's life, the origins of Chickenshed and how the company has grown over the years, how they adapted to lockdown, and the importance of filming theatre. 

Learn more about Chickenshed at www.chickenshed.org.uk and visit their YouTube channel to see some of their incredible work! ​

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If you like what you hear, please make sure to subscribe and leave a review! 

This week host Luisa Lyons chats with Filipino-American artist Lourds Lane - book writer, composer, lyricist, arranger, and violin-playing co-star of the new rock musical SuperYou. The musical was scheduled to open off-Broadway in May 2020, but was postponed due to the pandemic. Instead, a concert version was performed on the back of pick-up trucks at a drive-in in upstate New York. The concert was filmed and is available to stream on Broadway on Demand!

We talk about how music inspires, how writing music for a touring rock band helped Lourds write a musical, the Medusa Festival, the intensely personal inspiration behind SuperYou, why the team defied industry malaise at the start of the pandemic and staged the drive-in concert, how the concert was filmed, and putting your work online.

Learn more about Lourds Lane at www.lourdslane.com and SuperYou at www.superyoumusical.com. 

SuperYou is available to stream on demand until April 15, 2021 at Broadway on Demand.

You can listen to the Filmed Live Musicals podcast wherever you listen to podcasts, including Apple Podcasts, Google Podcasts, Overcast, Spotify, and more! Subscribe for new content every two weeks! 

Thank you to the Filmed Live Musicals patrons Josh Brandon, Mercedes Esteban, Rachel Esteban, James Lane, David Negrin, Jesse Rabinowitz and Brenda Goodman, Al Monaco, David and Katherine Rabinowitz, and Bec Twist for your support.

Filmed Live Musicals is the most comprehensive online searchable database for musicals that have been filmed live on stage. Follow us on Facebook and Twitter. You can also support the site at Patreon. Patrons get early access to content, no matter how much you pledge.

On episode 17 of the Filmed Live Musicals podcast, host Luisa Lyons chats with the Creative Director of HMDT Music, Tertia Sefton-Green. 

We chat about HMDT Music's extraordinary children's theatre education program pre-pandemic, the fortuitous decision to downscale in 2019, and the new female-led musical Jina and the STEM Sisters. The musical is available to stream on demand worldwide until April 11. Book your tickets here! 

HMDT Music, twice winner of the prestigious Royal Philharmonic Society Award for Education and of the 2020 Excellence in Musical Theatre Award, is a leader in commissioning inspiring musical works embedding the arts across all areas of learning for young people. Key successes include: Trench Brothers commemorating ethnic minority soldiers in WW1; Shadowball ground-breaking baseball and jazz opera; Hear Our Voice international tour of a new work compiled from children’s Holocaust writings. HMDT runs an extensive Saturday Music Programme and arts-rehabilitation projects for young offenders. Their Creative Director Tertia Sefton-Green has created, commissioned, managed all their large-scale projects in addition to fundraising and writing some of the libretti. She also conducts their I Can Sing! music theatre programme. Learn more at www.hmdt.org.uk.

Thank you to the Filmed Live Musicals patrons Josh Brandon, Mercedes Esteban, Rachel Esteban, James Lane, David Negrin, Jesse Rabinowitz and Brenda Goodman, Al Monaco, David and Katherine Rabinowitz, and Bec Twist for your support.

Filmed Live Musicals is the most comprehensive online searchable database for musicals that have been filmed live on stage. Follow us on Facebook and Twitter. You can also support the site at Patreon. Patrons get early access to content, no matter how much you pledge.

This week on the Filmed Live Musicals podcast, host Luisa Lyons chats with New York-based Australian director Benita de Wit.  

We chat about creating pertinent work with college students during a pandemic, the LIU Post Sondheim cabaret One More Thing Not to Think About, what makes a good theatre capture, what makes theatre “live” and human, why a student production of Kiss Me, Kate stuck in Benita’s memory, the upcoming stream Alter/Ego and how Bowie is relevant to Gen Z, and what it means to theatricalize pop music.

Benita de Wit is a New York-based Australian director of theatre and performance.  They are the Associate Director for the international tour of  “Bat Out of Hell” and have an MFA in Directing from Columbia University. Recent credits include “One More Thing Not To Think About” (Post Theatre Company), “The Laramie Project” (Pace University), “Slaughterhouse” by Anchuli Felicia King (Belvoir, 25A), “The Silence” (MIT, Associate Director), "The Moors" (Off Broadway, Assistant Director), "The Rape of The Sabine Women by Grace B Matthias". Benita is an Adjunct Professor at Pace University and an Associate Member of SDC. Learn more at www.benitadewit.com.

Show Links
One More Thing Not to Think About 
https://vimeo.com/jstudiosny/review/486420579/14dffcb021
Password: N3wSw!*LIU2020

The Laramie Project
https://performingarts.pace.edu/current-season

Alter/Ego
https://www.facebook.com/liuposttheatrecompany/

​Filmed Live Musicals is the most comprehensive online searchable database for musicals that have been filmed live on stage. Visit www.filmedlivemusicals.com to learn more. Follow us on Facebook and Twitter. You can also support the site at Patreon. Patrons get early access to content, no matter how much you pledge.

This week on the podcast host Luisa Lyons chats with Eliza Jackson, an Australian producer based in the UK whom The Stage recently listed as one of the Top 100 Theatre Makers of 2020. 
Topics including making the switch from acting to producing, the joys and challenges of producing virtual theatre content during the pandemic, paying artists during lockdown, the future of streaming, what it means to make theatre during this time, and Lambert Jackson Productions streams of The Last Five Years, Songs for A New World, [title of show], and the upcoming I Love You, You're Perfect, Now Change. 

Australian born Eliza Jackson trained in Musical Theatre at the prestigious NIDA (National Institute of Dramatic Art) in Sydney. She moved to London in 2012 and since then, has worked in the theatre industry both on and off stage. 

In 2018, Lambert Jackson Productions was born and their first project was to take Eliza’s one-woman show to the Edinburgh Fringe Festival. The show, The Voice Behind the Stars received 5-star reviews across the board and was then toured around Australia with much success. On her return, she took on the role of Creative Director of Lambert Jackson full time.

I Love You, You're Perfect, Now Change will stream at select times between January 28-30, 2021. More info and tickets available from the London Coliseum. 

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So, 2020, huh?! It has been a tumultuous, painful, bizarre year with so much loss, grief, and uncertainty. But on the other side of darkness, there is light. And if one good thing has come out of the pandemic, it’s that filmed live theatre content is more available than ever. From Andrew Lloyd Webber’s The Shows Must Go Online, The National Theatre and Met Opera’s weekly streams, Disney+ releasing Hamilton, to smaller independent theatres like Southwark Playhouse, Wise Children, or Westcoast Black Theatre Troupe releasing previously filmed content, and creating new musicals to stream.

Bonus Play​​

What did you see this year that you loved?
Let me know in the comments, or on Twitter and Facebook!

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In this week's episode of the podcast, I chat with Kelly Kessler, Associate Professor of Cinema and Media Studies at DePaul University, about her new book Broadway in the Box: Television's Lasting Love Affair with the Musical. 
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We talk about Kelly's research, why television networks produce live musicals, the role of adverts, the first musicals on television, the first Broadway musical to air live on television (and who got to watch it), and why we should put musicals on television!

​Broadway in the Box: Television's Lasting Love Affair with the Musical is available at all major bookstores and on Amazon (as an Amazon Associate I earn from qualifying purchases from this link).

About This Week's Guest
Kelly Kessler is an Associate Professor of Cinema and Media Studies at DePaul University. Her work draws on three main areas: the American musical, the intersection of genre and gender, and the mainstreaming of lesbianism in American television and film. Her scholarship can be found in works such as Studies in Musical Theatre, The Journal of E-Media Studies, The Journal of Popular Music Studies, Television and New Media, Movies, Moves, and Music: The Sonic World of the Dance Film, Televising Queer Women: A Reader, and The New Queer Aesthetic on Television: Essays on Recent Programming. Kessler has published two books, including Destabilizing the Hollywood Musical: Music, Masculinity and Mayhem and Broadway in the Box: Television's Lasting Love Affair with the Musical.