Host Luisa Lyons chats with Doug Reside, curator of the Billy Rose Theatre Division at the New York Public Library and author of Fixing the Musical: How Technology Shaped the Broadway Repertory, which looks at how the musicals that we remember, and the ones that are the most performed, are the musicals that were able to use the technologies of their time such as cast recordings, sheet music, and video, to document and share the work with those who would never see the original production on stage.
Doug shares his background in English and Computer Science, the challenges of preserving theatre history and the challenges of digital preservation, and we dive into his book Fixing the Musical and the fascinating history behind filming Broadway for public distribution, what needs to happen to make film recordings as ubiquitous as cast recordings, and how you can access the Theatre on Film and Tape Archive at the New York Public Library!
Doug Reside is the Curator of the Billy Rose Theatre Division at New York Public Library for the Performing Arts and manages all aspects of the division’s collections and public services. He joined NYPL in 2011 first as the digital curator for the performing arts before assuming his current position in 2014. Prior to joining NYPL, Reside served on the directorial staff of the Maryland Institute for Technology in the Humanities at the University of Maryland. He holds a PhD in English from the University of Kentucky.
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Fixing the Musical: How Technology Shaped the Broadway Musical
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Filmed Live Musicals is created by Luisa Lyons, an Australian actor, writer, and musician. Luisa holds a Masters in Music Theatre from London's Royal Central School of Speech and Drama and now lives, works, and plays in New York. Learn more at www.luisalyons.com and follow on Twitter, Instagram, and Facebook.