You Will Be PopularIn writing about filmed live musicals, I tend to not write about movie musicals (that may soon be changing, stay tuned…), but I would be remiss not to mention the box office record breaking, utterly stunning, film adaptation of Wicked. Perhaps you've heard of it?! As I wrote in 2018, it’s not an industry secret that when a movie version of a stage musical is released during the run of the musical, ticket sales go up at the box office. The same is true of livestreams. Musicals on screen also boost ticket sales on the road, and increase the likelihood of a show being licensed regionally and by amateur groups and schools. Of the top 10 musicals produced by high schools in the 2022-23 season, every single title was either based on a movie or filmed live on stage. Now while Wicked is a Broadway stalwart that needs no help selling tickets (except for a few expected dips here and there, attendance has been at 100%, or close to it, for the vast majority of its 21-year run at the Gershwin Theatre), the brand recognition for the Broadway show and national tour has undoubtedly sky-rocketed. On Broadway, December shows have just about all sold out, and the handful of tickets left in January start at $150US. You can bet that when the film is released to streaming for home viewing (expected to be February or March in 2025), interest will boom again. For a myriad of reasons, including cost, complex contract negotiations, and a refusal to change the status quo, Broadway is infuriatingly behind the eight ball when it comes to filming shows and making them available for public consumption. This leaves theatre fans, and even industry professionals, to rely on bootlegs to access shows that they might not otherwise be able to see because of cost, geography, lack of childcare, and a myriad of other reasons. In an interview published on Gizmodo, Wicked film director Jon M. Chu shared that he watched bootlegs of Wicked on stage as he was preparing for the film. During pre-production Zoom meetings, Chu requested videos of the stage show from writer Winnie Holzman, composer Stephen Schwartz, and producers Mark Platt, and Dana Fox. According to Chu, “...they were like, “We don’t have a recording.” I’m like, ” You have one in the back closet.” They’re like, “We do not.” I’m like, “That’s crazy, guys.” So I went on YouTube and found pirated versions and would just watch sections and be like, “Oh, yeah, that’s what happened.”” (emphasis my own) Just a few days ago Ariana Grande shared in her Variety “Actors on Actors” interview that she had sought out bootlegs of co-star Cynthia Erivo after first seeing Erivo perform at the Oscars (skip to around 34min in). While the Theatre on Film and Tape Archive at the New York Public Library for the Performing Arts does have a recording of Wicked on Broadway, taped on November 16, 2004, the recording will not be available to watch (with restrictions) until the show closes on Broadway. Good luck...
In the meantime, as of December 16th, it’s only 344 days until the second installment of Wicked is released in theatres. If you're looking for some Wizard of Oz-adjacent filmed live musicals content in the meantime check out these wickedly fun filmed live musicals:
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