Kiss Me, Kate (2024 West End Revival)
Cole Porter, and Sam and Bella Spewack’s smash hit musical loosely based on Shakespeare’s The Taming of the Shrew. The 2024 London revival directed by Bartlett Sher and starring Stephanie J. Block and Adrian Dunbar was filmed live during its run at the Barbican and released in cinemas in the U.S., U.K., Ireland, Australia, and selected territories in November 2024.
Where to watch
theatrical history
Loosely based on Shakespeare’s Taming of the Shrew, Kiss Me, Kate is one of the defining musicals of the twentieth century. With music and lyrics by the immensely prolific composer Cole Porter, and book by Sam and Bella Spewack, the show was the first musical to win a Tony Award for Best Musical. Its well-known and widely performed songs include “Another Op’nin’, Another Show,” “Brush Up Your Shakespeare,” “I Hate Men,” “Too Darn Hot,” and “Why Can’t You Behave?”.
Kiss Me, Kate first opened on Broadway on December 30, 1948, at the New Century Theatre starring Alfred Drake, Patricia Morrison, Lisa Kirk, and Harold Lang under the direction of Pembroke Davenport.
New York Times theatre critic Brooks Atkinson described the show as a “thoroughly enjoyable musical comedy,” and stated that Cole Porter had written “his best score in years.”
At 1,077 performances, Kiss Me, Kate became Cole Porter’s longest running Broadway musical, and one of his most celebrated.
Kiss Me, Kate opened in the West End on March 8, 1951, at the Coliseum where it also enjoyed high critical praise.
The first revival, and subsequent North American National tour, opened at the Broadway Theatre in 1952. Directed by John C. Wilson, the production featured choreography by Hayna Holm, scenic and costume design by Lemuel Ayers, lighting design by Al Alloy, and musical direction by George Hirst. The cast included Holly Harris (Lilli Vanessi/Katherine), Robert Wright (Fred Graham/Petruchio), Marilyn Day (Lois Lane/Bianca), and Frank Derbas (Bill Cahoun/Lucentio).
MGM released a movie version starring Kathryn Grayson, Howard Keel, and Ann Miller in 1953.
The musical has received two made-for-television specials. The first was aired in 1958 on NBC’s Hall of Fame, and starred members of the original Broadway cast. The second aired in 1968 on ABC’s Armstrong Circle Theatre featuring Robert Goulet and Carol Lawrence.
Kiss Me, Kate received its second Broadway revival in 1999, opening at the Martin Beck Theatre on November 18. Directed by Michael Blakemore, the production starred Marin Mazzie, Brian Stokes Mitchell, Amy Spanger and Michael Berresse. The book and score were revised to “take advantage of new technology in music and reflecting evolving social values.” The revised score included all the original songs, along with “From This Moment On,” which had appeared in the 1953 film.
The revival was nominated for multiple awards, including 12 Tony Awards. It went on to win 5 Tonys, including Best Actor in a Musical (Brian Stokes Mitchell), Best Costume Design (Martin Pakledinaz), Best Direction of a Musical (Michael Blakemore), Best Orchestrations (Don Sebesky) and Best Revival of a Musical.
New York Times theatre critic Ben Brantley described the show as a “mouthwatering new revival” that was “broad, brazen, often shameless and finally irresistible.”
Ticket sales suffered following the 9/11 terrorist attack, however the cast and crew took a voluntary 25% union-approved pay cut to ensure the show stayed open.
After 28 previews, and 881 regular performances, the second Broadway revival of Kiss Me, Kate closed on December 30, 2001.
The revival, along with its Broadway leads, transferred to London, where it began previews on the West End at the Victoria Palace Theatre on October 16, 2001. It officially opened on October 30, 2001.
The West End production received rave reviews. Writing for The Guardian, Michael Billington described the production as “an almost flawless revival,” and claimed it was one of the few musicals that provided “constant, time-suspending pleasure.” Charles Spencer, writing for The Telegraph stated the production was “a dazzling evening of inventive, infectious pleasure.”
The show was nominated for 8 Olivier Awards, though did not take home any awards. It did win the Evening Standard and Critics Circle Awards for Best Musical.
The West End production played 300 performances before closing on August 24, 2002.
The 2002 London revival was filmed during the show’s final week in August 2002. See Kiss Me, Kate (2002 West End revival) for more details.
In 2014, Kiss Me, Kate was performed at the BBC Proms under the baton of John Wilson to mark the 50th anniversary of Cole Porter’s death. Performed as a one-night-only special event, the production was a new edition of the show, featuring the original orchestrations and previously cut numbers. Although advertised as “semi-staged,” the Proms production was fully costumed and choreographed. See Kiss Me, Kate (BBC Proms) for more information.
On December 12, 2016, Roundabout Theatre Company presented a benefit performance of Kiss Me, Kate at Studio 54. The staged reading was directed by Scott Ellis, choreographed by Warren Carlyle, and featured Kelli O’Hara, Will Chase, Robert Fairchild, and Helené York.
The fully realized production opened at Studio 54 in March 14, 2019. It played for 125 performances before closing on June 30, 2019.
Kiss Me, Kate was revived in the West End in 2024 under the direction of Bartlett Sher and starring Stephanie J. Block and Adrian Dunbar. See Film History below.
Critics have noted that the domestic violence portrayed in The Taming of the Shrew does not hold up well with modern audiences.
Since its first celebrated opening in 1948, Kiss Me, Kate has been widely performed. The musical is available for licensing through Concord Theatrical.
Kiss Me, Kate first opened on Broadway on December 30, 1948, at the New Century Theatre starring Alfred Drake, Patricia Morrison, Lisa Kirk, and Harold Lang under the direction of Pembroke Davenport.
New York Times theatre critic Brooks Atkinson described the show as a “thoroughly enjoyable musical comedy,” and stated that Cole Porter had written “his best score in years.”
At 1,077 performances, Kiss Me, Kate became Cole Porter’s longest running Broadway musical, and one of his most celebrated.
Kiss Me, Kate opened in the West End on March 8, 1951, at the Coliseum where it also enjoyed high critical praise.
The first revival, and subsequent North American National tour, opened at the Broadway Theatre in 1952. Directed by John C. Wilson, the production featured choreography by Hayna Holm, scenic and costume design by Lemuel Ayers, lighting design by Al Alloy, and musical direction by George Hirst. The cast included Holly Harris (Lilli Vanessi/Katherine), Robert Wright (Fred Graham/Petruchio), Marilyn Day (Lois Lane/Bianca), and Frank Derbas (Bill Cahoun/Lucentio).
MGM released a movie version starring Kathryn Grayson, Howard Keel, and Ann Miller in 1953.
The musical has received two made-for-television specials. The first was aired in 1958 on NBC’s Hall of Fame, and starred members of the original Broadway cast. The second aired in 1968 on ABC’s Armstrong Circle Theatre featuring Robert Goulet and Carol Lawrence.
Kiss Me, Kate received its second Broadway revival in 1999, opening at the Martin Beck Theatre on November 18. Directed by Michael Blakemore, the production starred Marin Mazzie, Brian Stokes Mitchell, Amy Spanger and Michael Berresse. The book and score were revised to “take advantage of new technology in music and reflecting evolving social values.” The revised score included all the original songs, along with “From This Moment On,” which had appeared in the 1953 film.
The revival was nominated for multiple awards, including 12 Tony Awards. It went on to win 5 Tonys, including Best Actor in a Musical (Brian Stokes Mitchell), Best Costume Design (Martin Pakledinaz), Best Direction of a Musical (Michael Blakemore), Best Orchestrations (Don Sebesky) and Best Revival of a Musical.
New York Times theatre critic Ben Brantley described the show as a “mouthwatering new revival” that was “broad, brazen, often shameless and finally irresistible.”
Ticket sales suffered following the 9/11 terrorist attack, however the cast and crew took a voluntary 25% union-approved pay cut to ensure the show stayed open.
After 28 previews, and 881 regular performances, the second Broadway revival of Kiss Me, Kate closed on December 30, 2001.
The revival, along with its Broadway leads, transferred to London, where it began previews on the West End at the Victoria Palace Theatre on October 16, 2001. It officially opened on October 30, 2001.
The West End production received rave reviews. Writing for The Guardian, Michael Billington described the production as “an almost flawless revival,” and claimed it was one of the few musicals that provided “constant, time-suspending pleasure.” Charles Spencer, writing for The Telegraph stated the production was “a dazzling evening of inventive, infectious pleasure.”
The show was nominated for 8 Olivier Awards, though did not take home any awards. It did win the Evening Standard and Critics Circle Awards for Best Musical.
The West End production played 300 performances before closing on August 24, 2002.
The 2002 London revival was filmed during the show’s final week in August 2002. See Kiss Me, Kate (2002 West End revival) for more details.
In 2014, Kiss Me, Kate was performed at the BBC Proms under the baton of John Wilson to mark the 50th anniversary of Cole Porter’s death. Performed as a one-night-only special event, the production was a new edition of the show, featuring the original orchestrations and previously cut numbers. Although advertised as “semi-staged,” the Proms production was fully costumed and choreographed. See Kiss Me, Kate (BBC Proms) for more information.
On December 12, 2016, Roundabout Theatre Company presented a benefit performance of Kiss Me, Kate at Studio 54. The staged reading was directed by Scott Ellis, choreographed by Warren Carlyle, and featured Kelli O’Hara, Will Chase, Robert Fairchild, and Helené York.
The fully realized production opened at Studio 54 in March 14, 2019. It played for 125 performances before closing on June 30, 2019.
Kiss Me, Kate was revived in the West End in 2024 under the direction of Bartlett Sher and starring Stephanie J. Block and Adrian Dunbar. See Film History below.
Critics have noted that the domestic violence portrayed in The Taming of the Shrew does not hold up well with modern audiences.
Since its first celebrated opening in 1948, Kiss Me, Kate has been widely performed. The musical is available for licensing through Concord Theatrical.
Film history
Directed by Bartlett Sher (The Light in the Piazza, South Pacific, The King & I), the West End revival of Kiss Me, Kate opened at the Barbican on June 4, 2024.
The musical featured musical direction by Steven Ridley, choreography by Anthony Van Laast, scenic design by Michael Yeargan, costume design by Catherine Zuber, lighting design by Donald Holder, and sound design by Adam Fisher.
The cast included Tony winner Stephanie J. Block (Falsettos) in her West End debut as Lilli Vanessi/Katherine, TV actor Adrian Dunbar, best known for his work in Line of Duty, as Fred Graham/Petruchio, Charlie Stemp (Bill Calhoun/Lucentio), Georgina Onuorah (Lois Lane/Bianca), Nigel Lindsay (Gangster), Hammed Animashaun (Gangster), Peter Davison (General Harrison Howell), Josie Benson (Hattie), Jack Butterworth (Paul), Jude Owusu (Harry Trevor/Baptista), Carl Au (Ensemble/Hortnesio), Jordan Crouch (Ensemble/Gremio), Gary Milner (Ensemble/Ralph), and James Hume (Ensemble/Pops). The ensemble included Alisha Capon, Shani Cantor, Maya de Faria, Amelia Kinu-Muus, Jacqui Jameson, Lucas Koch, Alex Lodge, Nell Martin, Anna McGarahan, John Stacey, Harrison Wilde, Robin Kent, Barry Drummond, Emily Goodenough, and Maddie Harper.
The Barbican revival received rave reviews. Critics praised Bartlett Sher’s direction, the effectiveness of Michael Yeargan’s scenic design, and Stephanie J. Block’s powerhouse performance. Critics also effused the talents of the ensemble, and while noting that TV actor Adrian Dunbar did not quite have the vocal chops to match his co-star, praised Dunbar for the comedy he brought to the role.
Writing for London Theatre, Matt Wolf described the revival as “rip-roaring,” and stated he’d “never before seen a production that so fully foregrounds its women.” The Guardian’s David Jays stated “In Bartlett Sher’s plushly enjoyable staging, it delivers glorious music and falderol frivolity.” Tom Wicker, writing for TimeOut described the musical as “a lush, wittily spectacular production, whose lynchpin is Block as Lilli/Kate.”
In a review for The Telegraph, Marianka Swain lavished praise on Stephanie J. Block, stating “She brilliantly layers her fiery dual roles, making it more about Lilli finding herself than a man, and she’s a simply divine singer, skilfully changing up the rhythms in So in Love to reflect her turbulent emotions and delivering show-stopping coloratura.”
Kiss Me, Kate closed at the Barbican Theatre on September 14, 2024.
Distributed by Trafalgar Releasing, Kiss Me, Kate was released in cinemas across the U.S., U.K., Ireland, Australia, and selected territories on November 17, 2024.
Writing for Everything Theatre, Alastair Ball stated “This live recording captures the energy of the stage show and renders it on the silver screen.” Like the critics who saw the show live on stage, Ball praised the performances of the cast, notably Stephanie J. Block. While also commenting on Adrian Dunbar’s not-quite-as-stellar vocal ability, Ball felt Dunbar came across well on screen, stating “the subtleties of his acting translate well to cinema.”
Ball was one of the few critics to address the sexism of Kiss Me, Kate. He noted “Although there are some knowing nods towards the more sexist moments of the show, this only acknowledges the problematic elements rather than subverting them and could perhaps have done more to challenge them.”
Ball concluded “this cinema run is perfect to catch this musical spectacular.”
Kiss Me, Kate is currently playing in select cinemas through December 2024. Check Kiss Me, Kate: The Musical for local listings.
Other Filmed Live Versions of Kiss Me, Kate
The musical featured musical direction by Steven Ridley, choreography by Anthony Van Laast, scenic design by Michael Yeargan, costume design by Catherine Zuber, lighting design by Donald Holder, and sound design by Adam Fisher.
The cast included Tony winner Stephanie J. Block (Falsettos) in her West End debut as Lilli Vanessi/Katherine, TV actor Adrian Dunbar, best known for his work in Line of Duty, as Fred Graham/Petruchio, Charlie Stemp (Bill Calhoun/Lucentio), Georgina Onuorah (Lois Lane/Bianca), Nigel Lindsay (Gangster), Hammed Animashaun (Gangster), Peter Davison (General Harrison Howell), Josie Benson (Hattie), Jack Butterworth (Paul), Jude Owusu (Harry Trevor/Baptista), Carl Au (Ensemble/Hortnesio), Jordan Crouch (Ensemble/Gremio), Gary Milner (Ensemble/Ralph), and James Hume (Ensemble/Pops). The ensemble included Alisha Capon, Shani Cantor, Maya de Faria, Amelia Kinu-Muus, Jacqui Jameson, Lucas Koch, Alex Lodge, Nell Martin, Anna McGarahan, John Stacey, Harrison Wilde, Robin Kent, Barry Drummond, Emily Goodenough, and Maddie Harper.
The Barbican revival received rave reviews. Critics praised Bartlett Sher’s direction, the effectiveness of Michael Yeargan’s scenic design, and Stephanie J. Block’s powerhouse performance. Critics also effused the talents of the ensemble, and while noting that TV actor Adrian Dunbar did not quite have the vocal chops to match his co-star, praised Dunbar for the comedy he brought to the role.
Writing for London Theatre, Matt Wolf described the revival as “rip-roaring,” and stated he’d “never before seen a production that so fully foregrounds its women.” The Guardian’s David Jays stated “In Bartlett Sher’s plushly enjoyable staging, it delivers glorious music and falderol frivolity.” Tom Wicker, writing for TimeOut described the musical as “a lush, wittily spectacular production, whose lynchpin is Block as Lilli/Kate.”
In a review for The Telegraph, Marianka Swain lavished praise on Stephanie J. Block, stating “She brilliantly layers her fiery dual roles, making it more about Lilli finding herself than a man, and she’s a simply divine singer, skilfully changing up the rhythms in So in Love to reflect her turbulent emotions and delivering show-stopping coloratura.”
Kiss Me, Kate closed at the Barbican Theatre on September 14, 2024.
Distributed by Trafalgar Releasing, Kiss Me, Kate was released in cinemas across the U.S., U.K., Ireland, Australia, and selected territories on November 17, 2024.
Writing for Everything Theatre, Alastair Ball stated “This live recording captures the energy of the stage show and renders it on the silver screen.” Like the critics who saw the show live on stage, Ball praised the performances of the cast, notably Stephanie J. Block. While also commenting on Adrian Dunbar’s not-quite-as-stellar vocal ability, Ball felt Dunbar came across well on screen, stating “the subtleties of his acting translate well to cinema.”
Ball was one of the few critics to address the sexism of Kiss Me, Kate. He noted “Although there are some knowing nods towards the more sexist moments of the show, this only acknowledges the problematic elements rather than subverting them and could perhaps have done more to challenge them.”
Ball concluded “this cinema run is perfect to catch this musical spectacular.”
Kiss Me, Kate is currently playing in select cinemas through December 2024. Check Kiss Me, Kate: The Musical for local listings.
Other Filmed Live Versions of Kiss Me, Kate
cast & creative credits
Theatre: The Barbican, London
Producer: Howard Panter for Trafalgar Theatre Productions, Richard Batchelder / Brady Brim-DeForest, The Dodgers, HoriPro, Kevin Ryan / Dennis Trunfio, udnFunLife Co, The Shubert Organization, Carlos Candal, New Frame Productions and David Lazar in association with Scenario Company, ACT Productions and the Barbican
Book: Sam and Bella Spewack
Music and Lyrics: Cole Porter
Director: Bartlett Sher
Music Director: Steven Ridley
Choreography: Anthony Van Laast
Scenic Design: Michael Yeargan
Costume Design: Catherine Zuber
Lighting Design: Donald Holder
Sound Design: Adam Fisher
Cast:
Stephanie J. Block (Lilli Vanessi/Katherine)
Adrian Dunbar (Fred Graham/Petruchio)
Charlie Stemp (Bill Calhoun/Lucentio)
Georgina Onuorah (Lois Lane/Bianca)
Nigel Lindsay (Gangster)
Hammed Animashaun (Gangster)
Peter Davison (General Harrison Howell)
Josie Benson (Hattie)
Jack Butterworth (Paul)
Jude Owusu (Harry Trevor/Baptista)
Carl Au (Ensemble/Hortnesio)
Jordan Crouch (Ensemble/Gremio)
Gary Milner (Ensemble/Ralph)
James Hume (Ensemble/Pops)
Alisha Capon (Ensemble)
Shani Cantor (Ensemble)
Maya de Faria (Ensemble)
Amelia Kinu-Muus (Ensemble)
Jacqui Jameson (Ensemble)
Lucas Koch (Ensemble)
Alex Lodge (Ensemble)
Nell Martin (Ensemble)
Anna McGarahan (Ensemble)
John Stacey (Ensemble)
Harrison Wilde (Ensemble)
Robin Kent (Swing)
Barry Drummond (Swing)
Emily Goodenough (Swing)
Maddie Harper (Swing)
Producer: Howard Panter for Trafalgar Theatre Productions, Richard Batchelder / Brady Brim-DeForest, The Dodgers, HoriPro, Kevin Ryan / Dennis Trunfio, udnFunLife Co, The Shubert Organization, Carlos Candal, New Frame Productions and David Lazar in association with Scenario Company, ACT Productions and the Barbican
Book: Sam and Bella Spewack
Music and Lyrics: Cole Porter
Director: Bartlett Sher
Music Director: Steven Ridley
Choreography: Anthony Van Laast
Scenic Design: Michael Yeargan
Costume Design: Catherine Zuber
Lighting Design: Donald Holder
Sound Design: Adam Fisher
Cast:
Stephanie J. Block (Lilli Vanessi/Katherine)
Adrian Dunbar (Fred Graham/Petruchio)
Charlie Stemp (Bill Calhoun/Lucentio)
Georgina Onuorah (Lois Lane/Bianca)
Nigel Lindsay (Gangster)
Hammed Animashaun (Gangster)
Peter Davison (General Harrison Howell)
Josie Benson (Hattie)
Jack Butterworth (Paul)
Jude Owusu (Harry Trevor/Baptista)
Carl Au (Ensemble/Hortnesio)
Jordan Crouch (Ensemble/Gremio)
Gary Milner (Ensemble/Ralph)
James Hume (Ensemble/Pops)
Alisha Capon (Ensemble)
Shani Cantor (Ensemble)
Maya de Faria (Ensemble)
Amelia Kinu-Muus (Ensemble)
Jacqui Jameson (Ensemble)
Lucas Koch (Ensemble)
Alex Lodge (Ensemble)
Nell Martin (Ensemble)
Anna McGarahan (Ensemble)
John Stacey (Ensemble)
Harrison Wilde (Ensemble)
Robin Kent (Swing)
Barry Drummond (Swing)
Emily Goodenough (Swing)
Maddie Harper (Swing)
SOUrCES
Books
Articles
Websites
- Dan Dietz, The Complete Book of 1940s Broadway Musicals, Rowman & Littlefield, (2015)
Articles
- Brooks Atkinson, “At the Theatre,” New York Times (Dec 31, 1948)
- Alastair Ball, “Review: Kiss Me Kate, Cinema Screening,” Everything Theatre (Nov 12, 2024)
- Tim Bano, “Kiss Me, Kate review: A supremely silly evening of summer escapism,” The Independent (June 18, 2024)
- Ben Brantley, “A Spirit Still True (in Its Fashion),” New York Times (Nov 19, 1999)
- Ben Brantley, “For 'Kate,' There's No Letting Up,” New York Times (Sept 28, 2001)
- Michael Buckley, “STAGE TO SCREENS: "Kiss Me, Kate" Producer Jac Venza & Star Brent Barrett,” Playbill (Jan 19, 2003)
- Michael Billington, “Kiss Me Kate,” The Guardian (Oct 31, 2001)
- Michael Billington, “Prom 21 review: John Wilson Orchestra/Kiss Me, Kate – uneasy Cole Porter semi-staging” The Guardian (Aug 3, 2014)
- Geoff Brown, “Kiss me, Kate at the Albert Hall, SW7,” The Times (Aug 4, 2014)
- Caroline Crampton, “Proms 2014: the John Wilson Orchestra thrills with Cole Porter's Kiss Me, Kate,” New Statesman (Aug 3, 2014)
- Logan Culwell-Block, “See Who's Joining Stephanie J. Block in London Kiss Me, Kate,” Playbill (April 10, 2024)
- Clive Davis, “Kiss Me, Kate review — huge fun, and Adrian Dunbar doesn’t disgrace himself,” The Times (June 18, 2024)
- Andrew Gans, “PBS Rebroadcasts Kiss Me, Kate — with York and Barrett — Dec. 26,” Playbill (Dec 26, 2006)
- Margaret Hall, “In Kiss Me, Kate, Stephanie J. Block Was Inspired by Elizabeth Taylor,” Playbill (Nov 15, 2024)
- Ivan Hewett, “BBC Prom 21, Kiss Me, Kate, review: ‘fabulous’,” The Telegraph (Aug 3, 2014)
- James Inverne, “Another Op’nin For London’s Kiss Me Kate—on DVD,” Playbill (Dec 1, 2003)
- David Jays, “Kiss Me, Kate review – glorious music, falderol frivolity and Adrian Dunbar,” The Guardian (June 18, 2024)
- Jane Levere, “London Production Of Musical ‘Kiss Me, Kate’ Filmed For U.S.,” Forbes (Nov 17, 2024)
- Meg Masseron, “Stephanie J. Block-Led Kiss Me, Kate Announces Pro-Shot Release Date,” TheaterMania (Sept 25, 2024)
- Barry Millington, “Proms 2014: Kiss Me Kate/John Wilson Orchestra/John Wilson, Royal Albert Hall - music review,” Evening Standard (Aug 4, 2014)
- Alice Newton, “10 wonderful things about the John Wilson Orchestra's 'Kiss Me, Kate' at the BBC Proms 2012,” Royal Albert Hall (Aug 4, 2014)
- Brianna O’Reilly, “Theatre Review: Kiss Me Kate, Barbican Centre - you’ll want to go again and again,” The Black Project (June 28, 2024)
- Chloe Rabinowitz, "KISS ME, KATE 1999 Revival to Stream on BroadwayHD This Month," BroadwayWorld (Jan 5, 2023)
- Sebastian Scotney, “Prom 21: Kiss Me, Kate, John Wilson Orchestra,” The Arts Desk (Aug 3, 2014)
- Josh Sharpe, “KISS ME, KATE Starring Stephanie J. Block Coming to U.S. Theaters, BroadwayWorld (Sept 25, 2024)
- Robert Simonson, “"Kiss Me, Kate" to Air on PBS Feb. 26,” Playbill (Feb 26, 2003)
- Charles Spencer, “A kiss of life for the West End Theatre Kiss Me, Kate VICTORIA PALACE THEATRE,” The Telegraph (Nov 1, 2001)
- Marianka Swain, “Kiss Me, Kate: Mother of God! Line of Duty’s Adrian Dunbar can actually sing,” The Telegraph (June 18, 2024)
- Tom Wicker, “Review: Kiss Me, Kate,” TimeOut (June 17, 2024)
- Matt Wolf, “Review: ‘Kiss Me, Kate’,” Variety (Nov 11, 2001)
- Matt Wolf, “'Kiss Me, Kate' review — Adrian Dunbar and Stephanie J Block deliver big time in this rip-roaring revival,” London Theatre (June 19, 2024)
Websites
- BBC: Proms, “Kiss Me, Kate at the Proms: 2014”, Accessed via: https://www.bbc.co.uk/programmes/b04w0vg3
- BBC: BBC Proms 2014, Accessed via: https://www.bbc.co.uk/programmes/b04vdyt0
- blu-ray.com, “Directed by Chris Hunt: Kiss Me, Kate, 2003,” Accessed via: http://www.blu-ray.com/Kiss-Me-Kate/439650/
- Great Performances, “Kiss Me, Kate: Production Credits,” Accessed via: http://www.pbs.org/wnet/gperf/kiss-me-kate-production-credits/127/
- The John Wilson Orchestra, “News: Kiss Me, Kate at the Proms (TV Broadcast),” Accessed via: http://www.johnwilsonorchestra.com/newsandreviews/christmas-day-bbc2-performance/
- KISS ME, KATE Musical, Accessed via: https://kissmekatemusical.com/
- Kiss Me, Kate Cinema, Accessed via: https://www.kissmekatecinema.com/
- Playbill, “Kiss Me, Kate,” Accessed via: http://www.playbill.com/production/kiss-me-kate-martin-beck-theatre-vault-0000008209
- Roundabout Theatre Company, Kiss Me, Kate Playbill, Accessed via: https://www.roundabouttheatre.org/Roundabout/media/Roundabout/PDF/KissMeKate_Playbill_Program.pdf
- Roundabout Theatre Company, “Shows and Events: Kiss Me, Kate,” Accessed via: https://www.roundabouttheatre.org/Shows-Events/Events/Benefit-Readings/Kiss-Me-Kate.aspx
- The Sondheim Guide, “Kiss Me, Kate: 2003 Television Production,” Accessed via: http://www.sondheimguide.com/porter/kiss03tv.html
- Tams-Witmark, “Kiss Me, Kate (Revised 1999),” Accessed via: http://www.tamswitmark.com/shows/kiss-me-kate-1999/
- UK Theatre Web, “Kiss Me, Kate,” Accessed via: http://www.uktw.co.uk/archive/musical/kiss-me-kate/L01089131958/