This week on the podcast, I interview British director and producer Adam Lenson! We had a great time chatting about Merrily We Roll Along, what should we call filmed theatre, Signal Online, Alt+Right+Shift, making new work without a theatre, filming theatre without an audience, and more!
Based in London, Adam Lenson is a director, producer, dramaturg, and musical theatre specialist. He was recently included in The Stage 100, a list recognizing theatremakers for their extraordinary achievements in 2020. He is the founder Signal and Signal Online, programs for incubating new musical theatre, Make Your Own Musicals which provides activity packs for children, and Theatrical Solutions which offers affordable solutions for theatrical livestreaming.
As a director, original works include WASTED (World Premiere, Southwark Playhouse), SUPERHERO (World Premiere, Southwark Playhouse), THE SORROWS OF SATAN (World Premiere, Tristan Bates Theatre), LOCK AND KEY (World Premiere, Vault Festival), THE LEFTOVERS (World Premiere, National Tour). Other works include THE RINK (Southwark Playhouse), THE STORM (Helios Collective/ENO), 35MM (The Other Palace), WHISPER HOUSE (The Other Palace), SONGS FOR A NEW WORLD (St James Theatre, 20th Anniversary Production), DISGRACED (English Theatre Frankfurt), DARK TOURISM (Park Theatre), GHOST (GSA), SEE WHAT I WANNA SEE (Jermyn Street Theatre), REEL LIFE (Ustinov Theatre Bath and St James Studio), THE GOODBYE GIRL (Upstairs at the Gatehouse), WEST END RECAST (Duke of York’s Theatre, Phoenix Theatre), ORDINARY DAYS (Trafalgar Studios), LITTLE FISH and SATURN RETURNS (Finborough Theatre), COME FLY WITH ME (Salisbury Playhouse), THE DEAD GUY (English Theatre Frankfurt) and THE FAMILY (Old Vic US/UK Exchange, Public Theater, NY).
You can learn more about Adam at www.adamlenson.com and follow him on Instagram and Twitter.
Tickets to Public Domain, streaming live on Jan 15 and 16 2021, are available at Southwark Playhouse.
Coming up in 2021, you may see a few less blog posts from me as I attempt to catch-up on the back log of musicals in the database. When I wrote my thesis on filmed live musicals back in 2012, I had a list of about 80 musicals. By the end of 2020, that list has exploded to over 350 musicals, only 185 of which are currently in searchable database! And that doesn’t even include musicals filmed without an audience or “zoomsicals” (musicals performed over zoom). That’s a lot of musicals to write up!
I want to continue spotlighting musicals by a diverse range of artists from around the world, especially musicals by women and people of color, and musicals in languages other than English.
The Filmed Live Musicals Podcast will continue to feature artists, creators, and industry specialists who make filmed live musical theatre.
I will continue to update the Filmed Live Musicals calendar, If you want to make sure you don't miss when musicals are screening, make sure to sign up for the weekly newsletter!
I’m hoping that as the vaccine is rolled out, I can return to focusing on stage musicals that have been filmed live with an audience present!
Filmed Live Musicals is very much a labor of love. Thank you to my wonderful patrons for helping to offset the financial cost of running the site. No matter what level you pledge at, every patron receives early access to content and the podcast.
And to everyone who has signed up for the weekly newsletter, downloaded the podcast, and shared a love of filmed live musical theatre with me, thank you!
IIIIIII’ll drink to that!
Thank you to patrons Rachel Esteban, Mercedes Esteban-Lyons, Al Monaco, David Negrin, Jesse Rabinowitz & Brenda Goodman, David & Katherine Rabinowitz, and Bec Twist, for financially supporting Filmed Live Musicals.
It's the final episode for 2020 of the Filmed Live Musicals podcast!
This week, I chat with writer, designer, and publisher Robert Sokol. We talk about Robert’s extensive cast recording collection, cast recordings in languages other than English, how changing the language affects a musical, the pros and cons of recordings going digital, Japanese takarazuka theatre, watching theatre online, and more!
Robert Sokol is a writer, designer, publisher, and producer. Credits include leadership roles with the San Francisco Bay Area Theatre Critics Circle, the TBA Awards program, and the American Theatre Critics Association (ATCA), as well as concerts, conferences, and other events from New York to Los Angeles. Robert and his husband Ron Willis own VIA MEDIA, which provides playbill publishing and other creative services as BAYSTAGES. A Munich native, he has been collecting musical cast recordings for half a century and specializes in translations of Broadway and West End musicals. You can follow Robert on Facebook.
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This week on the podcast, I chat Tony nominated composer Paul Gordon.
Topics include Jane Eyre, Daddy Long Legs, how union rules impact artists, the differences between subscription and pay-per-view models, why filming musicals is important, and making theatre more accessible, sustainable, and fair.
Paul Gordon was nominated for a 2001 Tony Award for composing the music and lyrics to the musical Jane Eyre. He won the 2015 Jeff Award for Best New Work for his book, music and lyrics for Sense and Sensibility, commissioned by Chicago Shakespeare Theatre. His critically acclaimed stage musicals, EMMA and PRIDE AND PREJUDICE are available to stream on Amazon Prime. He is the recipient of the 2009 Ovation Award for his music and lyrics to Daddy Long Legs which has had productions all over the world, including Off-Broadway, where it was nominated for 2 Drama Desk Awards, an Off-Broadway Alliance Award and 3 Outer Critic Circle awards. Daddy Long Legs was also the first off-Broadway musical to be livestreamed. No One Called Ahead was filmed and released in June of 2019. Knight’s Tale, written with John Caird, opened at the Imperial Theatre in Tokyo in 2018 while the concert version debuted in 2020 with the Tokyo Philharmonic. His other shows include: Being Earnest, Estella Scrooge: A Christmas Carol with a Twist, Analog and Vinyl, Stellar Atmospheres, The Front, Juliet and Romeo, Sleepy Hollow, The Circle and The Sportswriter. In his former life, Paul was a pop songwriter and wrote several number one hits.
Learn more about Paul Gordon at www.paul-gordon.weebly.com/ and follow him on Twitter.
In episode 10 of the Filmed Live Musicals podcast, I chat with Broadway dancer and associate choreographer Barry Busby! We talk about Starlight Express, being a swing, the work of an associate choreographer, creating the incredible jump rope number in Holiday Inn, and more!
Barry Busby is a Texas native, MFA graduate from the University of Oklahoma, and has lived in NYC for over 11 years where he just recently closed the 11-time Tony nominated production of Tootsie. He has been the Associate choreographer to Denis Jones for over 8 years and together they have collaborated on Broadway, all over the country, and internationally on over 40 productions. His Broadway credits include: Honeymoon in Vegas, Irving Berlin’s Holiday Inn, Sunset Boulevard starring Glenn Close, and Tootsie. Regionally he has worked at some of North America‘s most prominent theatres including: The MUNY, Goodspeed, Papermill Playhouse, The Kennedy Center, Dallas Theatre Center, TUTS, The Alley Theatre,and Williamstown Theatre Festival. In 2014 and 2016 he was featured on the iconic Macy’s Thanksgiving Day Parade, and most recently in the 73rd annual Tony Awards hosted by James Corden. When his schedule allows, Barry travels the world teaching master classes to the next generation of musical theatre hopefuls.
Holiday Inn is currently available to stream on BroadwayHD and on PBS Passport!
Learn more about Barry at www.barrybusby.com and follow him on Instagram!
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Episode 8 of the Filmed Live Musicals podcast is out today! Available wherever you listen to podcasts or online here.
In this week's episode, I chat with actor and Broadway expert Kimberly Faye Greenberg all about her one woman show Fabulous Fanny: The Songs & Stories of Fanny Brice, Barbra Streisand, the technicalities of streaming a show online, creating online “events”, and more!
The Associated Press declared Kimberly Faye Greenberg a "Warm, Sassy Diva!”, while she played leading roles in two off-Broadway musicals at the same time: Danny and Sylvia, The Danny Kaye Musical (as Sylvia Fine) and the solo show One Night with Fanny Brice (receiving a Patrick Lee IBTA Best Solo Performance Award nomination amongst fellow nominees, John Leguizamo, Michael Shannon and Michael Birbiglia). Kimberly's own solo show, Fabulous Fanny: The Songs and Stories of Fanny Brice, has been touring for the past 8 years with the Huffington Post stating the show brings "Fanny Brice to Fabulous Life"!
Fabulous Fanny: The Songs and Stories of Fanny Brice is now available to stream on Stellar. For tickets and to learn more, visit http://www.kimberlyfayegreenberg.com. You can find Kimberly on Instagram at @kfgreenberg.
Take a listen for some fun insights, and if you like what you hear, please rate and review!
Did you know you can access transcripts of each episode?
Visit Buzzsprout and click on the episode title!
Past episodes include Brenda Braxton, Scenesaver with Caroline Friedman, Disney Cruise Line's Tangled with David Colston Corris, Westcoast Black Theatre Troupe with Julie Leach and more!
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Episode 7 of the Filmed Live Musicals podcast is out!
This week I chat with the Executive Director of the Westcoast Black Theatre Troupe (WBTT), Julie Leach. Based in Sarasota, Florida, WBTT is a non-profit theatre founded in 1999 by Nate Jacobs. The company’s mission is “to produce professional theatre that promotes and celebrates the African American experience, that attracts diverse audiences, supports and develops African American artists, and builds the self-esteem of African American youth.”
We look at how WBTT were able to pivot during the COVID-19 shutdown, connection with community, the business end of putting theatre online, and Vinnette Carroll's Your Arms Too Short to Box With God.
Learn more WBTT's filmed live productions Your Arms Too Short to Box With God and Rockin' Down Fairytale Lane in the Filmed Live Musicals database, and check out WBTT's current productions at www.westcoastblacktheatre.org.
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Filmed Live Musicals is a labor of love. All the thanks to patrons Josh Brandon, Mercedes Esteban, Jesse Rabinowitz and Brenda Goodman, Al Monaco, David and Katherine Rabinowitz, and Bec Twist for your support!
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In episode 6 of the Filmed Live Musicals podcast, I chat with actor David Colston Corris who portrayed Maximus the horse in the recently released filmed live Disney musical Tangled, which was performed aboard the cruise ship Disney Magic. We chat about puppeteering, working on a cruise ship, and what it took to bring Maximus to life.
Originally from Cleveland, Ohio, David has performed for audiences all over the world! National/International Tours: AVENUE Q (Princeton/Rod), RUDOLPH THE RED-NOSED REINDEER: THE MUSICAL (Coach Comet, Charlie-in-the-Box), CURIOUS GEORGE LIVE! (Freddy), and John Tartagila's IMAGINOCEAN (Dorsel). Cruise Lines: DISNEY CRUISE LINE (World Premier cast of TANGLED: THE MUSICAL (Maximus), FROZEN: A MUSICAL SPECTACULAR (Olaf, Duke of Weselton) and NORWEGIAN CRUISE LINE (Nickelodeon Host). Regional Theaters: CASA MANANA, SAN JOSE STAGE COMPANY, THE HANGAR THEATRE, GEVA THEATRE CENTER. Theme Parks: WALT DISNEY WORLD, UNIVERSAL STUDIOS ORLANDO, SESAME PLACE and STORYLAND. In addition to performing, David designs and builds puppets. He has also taught puppetry privately, regionally, and for shows and workshops at WALT DISNEY WORLD. David is an active member of the Society of Children's Book Writers and Illustrators. David holds a B.F.A. in Musical Theater from the Chicago College of Performing Arts at Roosevelt University.
Available now on Apple Podcasts, Stitcher, Spotify, Overcast and more! Click here for links!
In episode of 4 of the Filmed Live Musicals podcast, host Luisa Lyons chats with dancer and performer, and former optical engineer, Lena Wolfe about virtual and augmented reality and how it can be used in theatre today.
Lena Adele Wolfe is originally from Tucson, AZ and currently lives in NYC. She stayed in the sunny southwest city to graduate from The University of Arizona with a B.F.A in Dance and a B.S. in Optical Sciences and Engineering. Her performance credits include The Great American Dance Tour through eastern China with Art.If.Act Dance project, a yearly bout in Verlaine & McCann’s Through The Looking Glass: The Burlesque Alice and Wonderland, one performance wonder kicking off the holiday season with Saks Fifth Avenue: Theatre of Dreams and eye-high kicking Christmas in the Air at the Beau Rivage in Biloxi, MS. Before taking the plunge as a full time performing artist, Lena was an Optical Engineer on the display team for the original Microsoft HoloLens, the first consumer grade augmented reality device. She is currently investigating interactive media and digital performance spaces. Follow Lena on Instagram.
For info on Lena's favorite VR experience, check out Dear Angelica on Oculus Rift.
The podcast is available wherever you listen to podcasts. If you like what you hear, please rate and subscribe!
In episode 3 of the podcast, Luisa chats with the founder and artistic director of Prima, Mitch Nugent. Based in Lancaster, PA, Prima is a non-profit organization focused on invigorating lives through fresh theatrical experiences.
An experienced actor, director, and producer, Mitch has led Prima from its start in 2010 as a nomadic organization, to its own home in 2018. On the west side of Lancaster City, Prima’s new venue offers an exciting location for boutique musicals, concerts and special events.
We chat about how Prima has responded to the COVID-19 crisis, what it takes to put theatre online, developing drive-in theatre, and how bootlegs are akin to medical marijuana!
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Learn more about Prima at https://primatheatre.org/.